When American-Indian-Tamil comedian Aziz Ansari mistook 14-year-old American-Sudanese Ahmed Mohamed, who was arrested in Texas for having built a clock, for a ‘brown kid’ he could project his own bodily experiences upon, it was more than just a simple negation and/or confusion of/over Mohamed’s Black Arab heritage. It didn’t just speak to Mohamed’s type of blackness which sits at the borderlines of erasure and irritation amongst dominant Black and Arab narratives. It also spoke volumes about Ansari’s type of brownness which similarly struggles with erasure and dislocation from dominant South Asian narratives. Ansari’s misidentification shows how colour lines are not static or linear. Neither are black and brown two absolute separates that never collide, historically or in the present day. They can be ambiguous, confusing and even messy because of how racial classifications do not respond to the complexity and diversity of human bodies, experiences and self-identifications.