IfeOluwa NihinlolaWill We Feel Alright?Igbo Highlife According to The Cavemen.Aug 24, 20201Aug 24, 20201
IfeOluwa NihinlolaWe Write These Things to Make Our Joy CompleteThoughts on the appeal of writing about traumaFeb 9, 20193Feb 9, 20193
IfeOluwa NihinlolaWhitewashing SepulchresEnkare Review has taken down the story; what next?Jan 31, 20191Jan 31, 20191
IfeOluwa NihinlolaA Future Restricted by Affordances of the PresentReview of TJ Benson’s We Won’t Fade into DarknessJan 28, 2019Jan 28, 2019
IfeOluwa NihinlolaSinging and Writing in TonguesStyle in the spirit that binds Teni and Wande CoalJan 22, 2019Jan 22, 2019
IfeOluwa NihinlolaFalz and the Limits of SentimentalityWhy the crutch works for Nigerian films but fails the rapperJan 18, 20195Jan 18, 20195
IfeOluwa NihinlolaWe Don’t Have an Argument; We Have a Real DisagreementI find engaging online discourse in Nigeria a challenge because of the sheer number of people talking. But I’ve tried to follow…Jan 1, 20196Jan 1, 20196
IfeOluwa NihinlolaWhere Are the Essays: On Clapback as Nigerian Literary CriticismWe are in the golden age of internet outrage, and Naijamerican writer Nnedi Okorafor was recently at its receiving end. In the early hours…Oct 23, 20183Oct 23, 20183
IfeOluwa Nihinlola“Kasala”: Ema Edosio’s Masterclass in Nigerian Comic RealismJokes often follow a set up-premise-punchline structure. This applies to one sentence jokes, two-hour comedy specials and feature films…Sep 29, 2018Sep 29, 2018