olivera sageBirdsong — on change & loveIn Vietnam, there’s a cafe where many bring their pet birds so that they can teach each other new melodies and whistling patterns to…Apr 26Apr 26
olivera sageSoggy Noodles : on the deception of freedomA man grieves the loss of his father who must confront his deepest regrets before moving on to the afterlife. Dec 6, 2023Dec 6, 2023
olivera sageImmortal — snippet.An old feeling flutters down from the frosted sun. It braids the wind through tree branches and gives the birds back their voices. I…Aug 6, 2022Aug 6, 2022
olivera sageCollections — fragmentPossums confidently scurry around our heads then cower to the flicker of a light switch. My nerves are clean and polished from morning…Jan 3, 2022Jan 3, 2022
olivera sageCabin fever - snippetA heart that swells with pigments of impossible blues. Emptiness has handed me its gloves to engrave a shadow into the suffocating air…Jan 3, 2022Jan 3, 2022
olivera sagePredators of Production — ‘HAIKYUU to the top’ reviewHaikyuu!! ‘To the Top’ (Part one) — Predators of ProductionJan 3, 2022Jan 3, 2022
olivera sageMusic in film — comparative analysis on ‘FraMusic in film has evolved throughout history in conjunction with technological advancements and the continuous transformation of societal…Jan 3, 2022Jan 3, 2022
olivera sage‘The dead’ vs. ‘All God’s Children Can Dance’ — close-reading analysisBoth Joyce’s The Dead and Murakami’s All God’s Children Can Dance explore how one’s subconscious rejection of the truth is a result of…Jan 3, 2022Jan 3, 2022