Imre, Loránd BalázsinDoc.KiezFather Thirst in the Venezuelan Jungle#VISIONSDUREEL2020: El Father Plays Himself (2020, ‘105), Mo ScarpelliApr 25, 2020Apr 25, 2020
Imre, Loránd BalázsYou are present: Days days after you passed[meditation on my mother’s death]Aug 21, 20191Aug 21, 20191
Imre, Loránd BalázsinDoc.KiezCameraworkthrough the experience of Kirsten Johnson regarding her film, CamerapersonJul 10, 2019Jul 10, 2019
Imre, Loránd BalázsinDoc.KiezFreak solo or sour-sweet scenarios for a still undervalued category#IDFA2018 and #OSCAR2019 special: Free Solo (2018, 90'), Elisabeth Chai Vasarhelyi — Jim ChinFeb 25, 2019Feb 25, 2019
Imre, Loránd BalázsinDoc.KiezTalking about cinema doesn’t get us rid of populism#IDFA2018: American Dharma (2018, 125'), Errol MorrisDec 5, 2018Dec 5, 2018
Imre, Loránd BalázsinDoc.Kiez#IDFA2018 special: Life is queer at its coreTouch Me Not (2018, 125'), Adina PintilieNov 18, 2018Nov 18, 2018
Imre, Loránd BalázsinDoc.KiezKind of UnexpectedComing of Age (2015, 60'), Teboho EdkinsOct 11, 2018Oct 11, 2018
Imre, Loránd BalázsinDoc.Kiez“Nobody trusted we could come back with a film shot in North Korea”Interview with Francois Margolin, producer of Napalm (Claude Lanzmann, 2017)Aug 12, 2018Aug 12, 2018
Imre, Loránd BalázsinDoc.KiezGrit vs. DeathNapalm (2017, 100'), Claude LanzmannAug 9, 2018Aug 9, 2018
Imre, Loránd Balázsthere are no blue animals, yetI wanted to tell you ten things I did today. I wanted to give you some facts, a list, an objective proof of my existence.Jun 24, 2018Jun 24, 2018
