The film definitely implies that hatred isn’t a necessary component of anti-Blackness and anti-black racism. All that’s required, according to this film, and I agree, is Whiteness and/or allegiance to Whiteness.
Get the Fuck Outta Here: A Dialogue on Jordan Peele’s GET OUT
Son of Baldwin
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There is this unsolicited fully paid subscription to whiteness (seemingly unending) that not only determines blackness and accompanies othering, it subjugates our being with liberal use of a coerceive narrative and dominant framework. The result of which continues to reap benefits in socioeconomic terms at such a detrimental expense, both physically and psychologically.

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