Pinnedjaden ogwayoAd Reinhardt’s Black Squares: A Study in Light, Colour, and Lack ThereofReinhardt’s paintings thrust the oppositional notions of presence and absence into a dialectical dialogue, observed and mediated the viewerApr 16, 2023Apr 16, 2023
Pinnedjaden ogwayoThe Postmodern Semiotics of ‘A Clockwork Orange’A post-structuralist reading of ‘A Clockwork Orange’, analysing Anthony Burgess’ use of language, slang, and contrast.Jan 11, 2023Jan 11, 2023
jaden ogwayoTragicomic Theatre and Contemporary Critique: ‘The God of Carnage’ by Yasmina RezaAn analysis of Reza’s use of tragicomic and literary techniques to construct a gripping critique of contemporary bourgeois societyMar 12, 2023Mar 12, 2023
jaden ogwayoQue font OuLiPo ? Comment contribuent-ils à enrichir l’art et l’écriture?réalisé par Jaden OgwayoOct 24, 2022Oct 24, 2022
jaden ogwayoWho Owns Knowledge? Epistemology in Today’s WorldExploring the epistemological implications of NFTs, biohacked insulin, and whistleblowersApr 10, 2022Apr 10, 2022