What are the Different Types of Drama — And Their Value

Drama, as a literary genre, can be categorised into different types based on its content, style, structure, and purpose. The performing art of drama has fascinated audiences for centuries, with depictions of human emotion and conflict. But what are the different types of drama?

The 5 prominent types of drama are:

• Tragedy,
• Comedy,
• Melodrama,
• Historical Drama, and
• Mystery.

These categories can be refined, and plays may straddle or blend multiple types. Drama’s variety allows it to reflect every facet of the human condition and experience.

Most Drama is intended to be performed:

• on stage,
• in film,
• in video, or
• on television.

Different types of drama explore the complexities of human relationships and emotions, often depicting characters in difficult or challenging situations. Understanding the types of drama requires a basic knowledge of its forms.

They can be found in the mediums of literature, film, television, and theatre. And the different types of drama focus on human experience by exploring complex themes and ideas.

Drama has unique characteristics that set it apart from other forms of literature. It is identified by the use of dialogue conveying the thoughts, feelings, and motivations of the characters. It uses conflict to drive the plot forward and create tension, while exploring themes such as:

• love,
• loss,
• betrayal, and
• redemption.

These factors serve to make drama a powerful and emotional genre.

• Key Takeaways
• Drama is literature that is meant to be performed.
• Different types of drama take on forms that are found in several mediums.
• Drama is characterised by its focus on human experience, use of dialogue, and the exploration of complex themes and ideas.

Understanding the Different Types of Drama

A dramatic play or a novel, if deemed suitable, is enacted through a performance by actors for an audience to be performed on stage, televion, video or as a movie. It involves a plot, characters, and dialogue.

The plot is the main storyline, while the characters played by actors act out the plot. The dialogue is the words spoken by the characters, which help to advance the plot and reveal their personalities.

The term drama is derived from the ancient Greek word dran. It was later adopted into Latin and then into various European languages, and eventually into English as drama. Drama can refer both to a specific genre of literature or theatrical performance and, more broadly, to any situation or series of events that has intense, conflicting, or striking interest or results.

Theatres were originally designed for the purpose of staging plays. They have a stage, where the actors perform, and an auditorium, where the audience sits to watch the play. Older theatres have evolved and have been modified to be used for other purposes, such as concerts, meetings, and corporate events.

Plays are classified as different types, such as tragedies, comedies, or historical dramas.

• Tragedies are serious and usually end with the death of the main character.
• Comedies are intrinsically funny but often have serious underlying messages.
• Historical dramas are based on real events drawn from major historical events.

Takeaway

The different types of drama involve the enactment of a story through a performance. Actors perform in a theatre or on film for an audience. Plays can be classified as different genres, such as tragedy, comedy, melodrama, musical or historical drama.

Types of Drama

The literary and theatrical form of drama has evolved over centuries and is classified into types based on content, structure, and presentation. This is not an exhaustive list, as drama is continually evolving and new sub-genres or fusion genres might emerge over time.

Different cultures and traditions have their own types of drama. For instance, Noh and Kabuki are traditional Japanese forms of drama, and Indian cultures have forms like Kathakali and Yakshagana.

Let’s take a brief look at types of drama.

Tragedy

Serious plays that end unhappily for the main character are called tragedies. Ancient Greek classical tragedies address themes of fate, hubris, and the tragic flaws of the hero. They include Sophocles’ Oedipus Rex and Shakespeare’s Hamlet.

Tragedy is characterised by a dark and often sombre tone. It usually features a protagonist who is faced with an overwhelming situation. He or she must make a decision that will lead to their downfall.

Comedy

Comedy makes us laugh. Designed to be humorous and to entertain the audience, it deals with misunderstandings, mistaken identities, and other comedic situations. Notable examples include Shakespeare’s A Midsummer Night’s Dream and Oscar Wilde’s The Importance of Being Earnest.

Tragicomedy

This type of drama blends elements of tragedy and comedy. Characters might undergo serious challenges and ordeals, but the play might end on a hopeful or cheerful note. Shakespeare’s The Winter’s Tale is a good example.

Melodrama

Melodrama has exaggerated emotions and plotlines. It usually features dramatic situations that are meant to evoke strong emotions in the audience. Examples include:

• The Bold and the Beautiful — A US CBS tv soap opera from William J. Bell and Lee Phillip Bell, first aired in 1987, and
• Days of Our Lives — A US tv soap that streams on Peacock, aired on NBC from 1965 to 2022. It is a long-running tv program which has been shown every week since 1965.

Farce

A sub-genre of comedy, farce exaggerates situations, and includes physical humour, and slapstick. The Comedy of Errors by Shakespeare is considered to be farcical.

History Plays

As the name suggests, these plays deal with historical events or figures. Shakespeare’s Richard III and Henry IV are famous examples.

Mystery Plays

A mystery play, also known as a miracle play, is a form of medieval European drama that focused on the depiction of stories from the Bible. They were particularly prevalent from the 10th to the 16th century and were performed outdoors on feast days, especially during the Corpus Christi festival.

They were called mystery plays because they were associated with mysteries or crafts. And many were traditionally sponsored by craft guilds.

Mystery plays were divided into a series of episodes or scenes. Each one presented a specific event from the Bible. It may have been the Creation, Adam and Eve, Cain and Abel, the life of Christ, or the Last Judgment.

They were often performed in cycles, where several plays would be performed in succession over the course of a day. And they told the entire Biblical history from the Creation to the Last Judgment.

The structure and content of the plays varied depending on the region and period. Some mystery plays were quite elaborate, with sophisticated staging. They may have included moving pageant wagons, special effects, such as the depiction of heaven and hell, and a large cast of characters.

Over time, as the Renaissance era approached and the medieval period waned, religious plays declined in popularity. Though they were replaced by other forms of drama, they left a significant mark on the history of theatre. And their influence can still be felt in some aspects of modern dramatic arts.

Action

Fast-paced plot and intense physical action typifies action drama. It features characters who are involved in dangerous or exciting situations that require them to use their physical abilities to overcome obstacles. Examples of action drama include films such as:

• Die Hard — A 1988 US movie starring Bruce Willis and written by Jeb Stuart and Steven E. de Souza. Directed by John McTiernan it is based on the 1979 novel Nothing Lasts Forever by Roderick Thorp.
• Mission Impossible — A series of spy films, based on the 1966 TV series by Bruce Geller, Mission Impossible is produced by and stars Tom Cruise.

Morality Plays

Also from the Middle Ages, morality plays are allegorical dramas where characters personify moral qualities or abstractions, such as virtues and vices. Everyman is a well-known example.

The Somonynge of Every Man, was first written in the late medieval period and printed c. 1530. It is usually just called Everyman, after the central character — an ordinary, flawed human being representing all mankind. He struggles to achieve salvation on his journey towards death.

British Library

Realism

Beginning in the 19th century, realistic plays portray life as it is, without overt symbolism or exaggeration. Anton Chekhov, Henrik Ibsen, and August Strindberg wrote plays in the genre.

Absurdism

Emerging in the 20th century, absurdism reflects the belief that human existence has no inherent meaning or value. Logical communication is often impossible, as Samuel Beckett’s Waiting for Godot exemplifies.

Epic Theatre

Introduced by Bertolt Brecht, it used the theatre as a medium to provoke thought rather than merely to entertain. Brecht’s plays, such as Mother Courage and Her Children, are central to this form.

Docudrama

Plays based on actual events and people, aiming to offer a dramatic interpretation of historical or current events are called Docudrama.

Monologue or Solo Play

A dramatic piece performed by a single actor, portraying one or more characters. The Belle of Amherst, about Emily Dickinson, is a good example of the type.

Musical Drama

Incorporates songs and dance routines into the narrative. Famous examples of the type are West Side Story and Les Misérables.

Takeaway

Drama is a diverse and complex genre that encompasses different types, each with its unique characteristics. Whether it is comedy, tragedy, or melodrama, drama has the power to entertain, enlighten, and inspire audiences.

Drama Modes

The dramatic mode has contrasted with epic and lyrical modes ever since Poetics — Aristotle’s earliest work on dramatic theory. Drama from the ancient Greek word dran means action, and it is the emphasis on action that distinguishes drama from other forms of literature.

The terms dramatic, epic, and lyrical refer to different modes or genres of literature, each with distinct characteristics. Here’s an overview of the modes:

Dramatic Mode

Relates to drama, meant to be performed by actors for an audience.

• Key Features: Dialogue and action, minimal narration, representation of characters’ conflicts, and direct presentation of events.
• Purpose: To invoke catharsis in the audience by allowing them to experience the emotions of the characters and the unfolding of events.
• Examples:
• Shakespeare’s — Hamlet and Othello,
• Sophocles’ — Oedipus Rex, and
• Arthur Miller’s — Death of a Salesman.

Epic Mode

Long narrative poems that depict the adventures and achievements of heroic figures or the history of a nation.

• Key Features: Large scope, often involving supernatural elements, detailed battle scenes, long formal speeches, divine interventions, and a formal and elevated style.
• Purpose: To celebrate national, cultural, or personal heroes, instilling moral values or showcasing cultural values.
• Examples:
• Homer’s — Iliad and Odyssey,
• Virgil’s — Aeneid, and
• Milton’s — Paradise Lost.

Lyrical Mode

Shorter poems or pieces of literature where the author expresses personal feelings or thoughts, often in the first person.

• Key Features: Emphasis on emotion, personal reflection, and individual experience. They are often melodic or song-like in nature, hence the term ‘lyrical’.
• Purpose: To convey personal emotions, perceptions, and reflections, often invoking a strong sense of mood or atmosphere.
• Examples:
• William Wordsworth’s — I Wandered Lonely as a Cloud,
• Emily Dickinson’s — Because I Could Not Stop for Death, and
• Robert Frost’s — The Road Not Taken.

While each mode has distinct characteristics, it’s worth noting that many literary works can incorporate elements from multiple modes. For example, an epic work can have lyrical passages, and a drama can have epic undertones.

Drama Characteristics

The literary genre of Drama is a form of performing arts characterised by specific elements and features.

The characteristics will vary depending on the type of drama. For example:

• Tragedy involves a tragic hero who experiences a downfall due to his or her own flaws or external circumstances.
• Comedy may involve mistaken identities, witty banter, and a happy ending.
• Melodrama involves exaggerated emotions and plot twists.
• Farce involves physical humour and absurd situations.

Here are some of the key characteristics of drama explained:

Conflict

Conflict is at the heart of most literature and prominent in drama, whether internal or external. It may be:

• in the character’s mind (internal),
• between two characters, or
• between a character and the environment.

The resolution of this conflict is the driving force of the plot.

Dialogue

Unlike other forms of literature, drama relies heavily on dialogue. Characters communicate with one another through spoken words, and dialogue is essential for character development and plot progression.

Dialogue is used to reveal character, advance the plot, and explore dramatic themes and ideas. It is used to create tension and conflict between characters, and to reveal their motivations and desires. Drama dialogue is crafted to create a specific effect, such as humour, irony, or suspense.

Characters

Dramas feature a cast of characters who drive the plot and narrative forward. Their development is central to good drama. Each character has a distinct personality, motivation, and role in the story.

The individuals in the action of the play portrayed by actors, characters explore themes and ideas, and they represent different aspects of society. They can be complex and multi-dimensional, and they will have conflicting motivations and desires.

Setting

The setting of a drama can be a physical location, a specific period, or both. It is essential for creating the world in which the story unfolds and where the action takes place. Settings can be a real or imaginary locations, and are used to create mood and atmosphere. They reflect the social and cultural context of the story.

Plot

The plot of a drama is structured around actions that build to a climax, followed by a resolution. The structure is designed to build tension and drama. The sequence of events make up the story, and include the:

• introduction,
• rising action,
• climax,
• falling action, and
• resolution.

This sequence of events makes up the story of the drama. Plot is driven by conflict, such as the struggle between two or more opposing forces; maybe:

• a fight between the protagonist and antagonist,
• an altercation between one character and society, or
• a battle between the antagonist and nature.

Themes

Dramas explore various themes, which can range from love and conflict to morality and societal issues. Themes give depth and authenticity to stories.

Emotion

Drama evokes strong emotions in the audience. Characters’ struggles and conflicts, as well as the unfolding of the plot, can trigger empathy, sympathy, joy, or sorrow.

Suspense

Dramas create suspense and anticipation in the audience. This is achieved through the gradual revelation of information and subtle plot development.

Stage Directions

Drama scripts of plays include stage directions and instructions for actors, directors, and producers regarding how the play should be performed. They describe character movements, expressions, and interactions with the setting.

Conflict Resolution

Dramas explore the resolution of conflicts, whether they are resolved positively or negatively. The resolution usually serves as a conclusion to the story.

Catharsis

Aristotle introduced the concept of catharsis, where dramas provide an emotional release and purification for the audience. The audience can experience and process their own emotions through the events and characters on the stage.

Symbolism

Symbolism is often used in drama to convey deeper meanings or themes. Objects, actions, and even characters can carry symbolic significance.

Monologues and Soliloquies

In addition to dialogue between characters, dramas may include monologues and soliloquies. If well performed it is very powerful when an isolated character speaks their thoughts aloud and displays their emotions to the audience.

Takeaway

Drama is a genre of literature that is designed to be performed in front of an audience. It is characterised by the presence of characters, a plot that is driven by conflict, a setting that reflects the social and cultural context of the play, dialogue that reveals character and advances the plot, and action that creates a sense of realism and engages the audience.

Read the Full article

Why not Join Us

If you enjoyed this article, we would like to offer you two gifts — our Starter Pack of 4 James King’s books and our Weekly Digest, which you can receive by email.

Originally published at https://jamoroki.com on October 27, 2023.