SJWRaising the Dead and Staging the NewDemocracy and Identity at Finland’s 2019 Tampere Theatre FestivalMay 12, 2020May 12, 2020
SJWBRITISH COUNCIL ON THEATRE CRITICISM: ‘We cannot continue to do it for next to no pay’I am one of a number theatre voices quoted at length in this article, originally published at https://theatreanddance.britishcouncil.org…Nov 14, 2019Nov 14, 2019
SJWBook Review: A History of the Berliner Ensemble (by David Barnett)By Sam Williams for the Brecht Yearbook, Volume #43Sep 26, 2019Sep 26, 2019
SJWA Struggle in the House of ArtIn September, workers stood outside Munich’s Haus der Kunst (House of Art) dressed in boiler suits and identical grim, white masks…Sep 23, 2019Sep 23, 2019
SJWPlaying Real: The Eerie Prognoses of Rimini Protokoll’s New Robotic Theatrical Production ‘Uncanny…Augmented by an eerie soundtrack of metallophone and glass chimes, a robot occupies the stage of a divided black-box studio. Beside it are…Jun 12, 2019Jun 12, 2019
SJW‘The Difference Is in the Detail’: El Anatsui and the institutional politics of Munich’s Haus der…The weight of institutional politics hangs over a retrospective for the Ghanaian sculptor El Antsui at the Haus der Kunst in Munich. Over…Apr 24, 2019Apr 24, 2019
SJWCriticism in a Time of Crisis: Towards a Radical Empathy or Solidarity with the Work of ArtOriginally published in Critical Stages — the Journal of the International Association of Theater Critics, Paris…Jan 29, 2018Jan 29, 2018
SJWIssue 2: Communications of the International Brecht Society (ecibs), 2017Edited by Jack Davis and Kris Imbrigotta. Editorial assistance provided by Karis Chapman (Truman State University).Oct 3, 2017Oct 3, 2017
SJWWhy It’s All Kicking Off EverywhereThe article below first appeared for Exeunt Magazine on 6 April 2017.May 26, 2017May 26, 2017
SJWTHE STAGEDivine Chaos of Starry Things review at White Bear Theatre, LondonApr 28, 2017Apr 28, 2017