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How to mic a cello aka my first cello session

3 min readDec 9, 2016

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The cello has a wide frequency range starting around 65Hz and so will require a mic with response that will capture the full range of the instrument.

Quick tips for cello recording :

  • Directional/cardioid mics are great for isolating the sound of the cello.
  • Omni mics allow for less precise placement while still capturing the full sound.
  • Aiming a direction mic at the strings gives more attack and presence of the instrument.
  • Aiming the mic at the F-hole gives the sound more level and low-end.
  • Mic between the F-hole and strings to give a natural balanced sound.

Recording session:

For the track we were using the cello was to follow simple patterns playing low mid to high mid notes. Because this was my first time recording cello I wanted to test out a number of mics going with a pair of U87’s as room mics in an AB stereo placement, the AKG 414 at mid range in line with the f hole set to cardioid or directional and an sm-57 spot micing aiming at the strings to capture interesting timbres.

Frequency response chart for Neumann U87, quite even with a high range boost.
AKG c414 response chart, slight dip around 1.5kHz and boost at 8kHz and above 10kHz
sm57 response chart cutting much of the lows with boost from 5k and falling dramatically at 19kHz

Results:

The mic setup captured the full spectrum of sounds and was able to be mixed to create a desirable sound without EQ. If I was to record another cello I would stick to very similar mic choices possibly swapping out the sm57 for a mic that captures more bass frequencies, possibly trying the U87 as the close mic. Unfortunately due to an artist agreement I can’t share the results until the track has been released.

References:

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