by Devon Wiersma
With only two people on a team of game developers and no experience shipping games before, one might (naturally) think that getting started in development and shipping your first game could be a difficult skill to tackle.
But this didn’t dissuade Jordan Pearson, a game developer based out of London, Ontario who together with a partner founded VDO Games, a studio which develops an action-platformer series called Cally’s Caves for mobile devices since 2013. After quitting his job and learning game development in the Game Maker engine, Jordan and his friend soon spent the next four months…
By Devon Wiersma
Violence is a common thread in many games.
In fact, anyone browsing through games this holiday season will likely be hard-pressed to find a title that doesn’t feature killing, fighting or shooting in some capacity. Beating and shooting things are as ubiquitous to games as the holidays are to being cold and trudging through the snow; likely due to the quick, instinctual bursts of satisfaction they deliver. …
By Devon Wiersma
Indie games frequently struggle to find their place. Whether it’s attempting to appeal to browsing users on services like itch.io or developing content unique enough to stand out against the ever-expanding service that is Steam Greenlight, creating games that are one-of-a-kind and marketable is always an uphill battle, especially for new developers. For most developers attempting to showcase their work it’s a constant struggle against the odds, full of attempts to sway discerning users into buying their games.
Yet for Alain, sole developer at BMC Studios (or Branche Moi Ca, which translates roughly to ‘Plug Me In’)…
By Nicole Pacampara
For Dietrich “Squinky” Squinkifer, their love affair for games was born out of a love for stories. As a kid, they relished becoming part of the stories themselves. Gravitating towards classic adventure games like the Monkey Island series to Grim Fandago, these games would spark their early interest in making games.
Best known for the 2013 musical detective adventure game Dominique Pamplemousse in “It’s All Over Once the Fat Lady Sings!”, Squinky’s games tend to explore everyday experiences mixed in with their signature humour and “general silliness.” Last month, as Squinky settled in their new home at…
By Nicole Pacampara
On a searing hot day in July, I trekked over to the Junction, a neighbourhood in Toronto’s west end, to find Axon Interactive. Started in 2010 by Tabby and Jeff Rose, the studio is housed in an unassuming red-bricked building once home to a rubber factory. Intrigued by the “brick-and-beam” vibe of the place, the loft-styled office has been the studio’s home since 2014. In the midst of developing their first game, Quench, I spent the afternoon chatting with Tabby and Jeff about the meandering path that led them to the game.
For the both of them…
By Nicole Pacampara
Nestled in a former gramophone factory in St-Henri, a neighbourhood just outside the rustle and bustle of Montreal’s downtown core, lies the studio of Compulsion Games. Since Guillaume Provost founded the studio seven years ago, it has grown both in size and reputation following the release of their 2013 debut game, Contrast, and their upcoming game, We Happy Few.
Two weeks before the Early Access launch of We Happy Few [when players can pay to access the game while still in development], I sat down with the team to talk about the studio’s origins, the struggles and…
By Alex Roberts
It’s late summer 2015, and I’m at a beach house in New Jersey, about to play the most Canadian game ever made. I don’t know this yet; I just know it’s a freeform scenario called Hope was the Last Thing in the Box. Freeform is a style of role-playing game in which a small number of players, led by a facilitator, use a few pages of text and pictures to generate a series of scenes; either narrated while sitting together, or acted out like an improvised play. People call this one “the Terry Fox LARP,” and though…
By Nicole Pacampara
The crowd screams. Anticipation rises. Two dancers pace up and down the screen. Finally, the music starts and the battle begins.
In 2007, a short animated film about street dancers went viral. Set amidst Jonathan Ng’s entrancing hand-drawn 2D animations and the uptempo musical beats of Eric San (better known as Kid Koala), Floor Kids brought to life the energy, fluidity, and the frenzied pace of break dancing.
Focusing on two dancers (B-Boy O-Live and B-Boy Nugs), the film shows them duking it out with dance moves aimed to impress, entertain, and to challenge each other. Capturing…
By Nicole Pacampara
It was an uncharacteristically cold day in San Francisco. A few blocks away from the commotion that is the annual Game Developer’s Conference, I sat down with Toronto-based game developer Yifat Shaik to chat about her life, her game making journey, and her latest game, Real Army Simulator.
Originally developed in 2015 with Derek Quenneville, Real Army Simulator is a narrative-driven game exploring the life of an army personnel. As a player, you get to dive into such exciting and epic choices as getting coffee or smoking a cigarette. This mundanity is deliberate. The very tagline of…
If you were to meet me in real life, you’d no doubt see my bespectacled face and have a hard time picturing it any other way. With the exception of sleeping and bathing, I’m never without my glasses. When people ask me about my vision, I make crudely hyperbolic statements like “I’m totally blind without them.”
For Steve Saylor, there’s no hyperbole about it.
Legally blind from birth, Steve lives with a condition called nystagmus. “[It’s an] involuntary movement of my eyes,” Steve tells me. “My eyes can’t focus. There is no way to fix it.”
