Tonight, experimental filmmaker Ernie Gehr will be giving the seventh annual Experimental Film Lecture, jointly presented by the departments of Cinema Studies and Undergraduate Film & Television at New York University’s Tisch School of the Arts. The pre-lecture screening is of his films in 16mm. You might want to see those while you can, lest they burn up in the projector.
The announcement from NYU Cinema Studies is reproduced below.
Ernie Gehr, “What Is an Unfinished Work?”
For nearly fifty years, artist Ernie Gehr has transformed his deep knowledge of the moving image into a distinct vision of cinema’s potential for interpreting and fragmenting reality. With an astute, often humorous, appreciation for the limits and possibilities of the frame, Gehr has, since the mid-1960s, created a large, radical body of work that continues to challenge and surprise audiences. He uses his camera as a tool for creating new modes of perception. With few words, no characters, and no plots, his films, video work, and installations push us to re-imagine our own relationships to time and space.
There are a multiplicity of adjectives that fit Ernie Gehr’s experimental film and digital work: abstract, beautiful, mysterious, invigorating, utopian.
Manohla Dargis, New York Times, 11/11/11
In Gehr’s hands, the camera seems to take on magical properties, able to transform the most quotidian object or environment — the pattern of sunlight on a wall, a busy street — into marvelous and unexpected phenomena.
Ernie Gehr’s Marvelous Cinema, Harvard Film Archive
Join us for screenings at 5:30 and Gehr’s Experimental Lecture at 7:00.
5:30 Pre-lecture 16mm screening of Serene Velocity (1970), Shift (1972–74) and Rear Window (1986/1991) 6:30 Artist reception 7:00 Experimental Lecture with screenings of Lisa and Suzanne (1968–69), Untitled: Part 1 (l981), Coney Island Boardwalk (2013)
Free and open to the public.
- October 19, 2016
- 5:30 PM
- Michelson Theater, 721 Broadway, 6th Fl
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