The Year I Decided That My Voice Mattered
“Why am I compelled to write? To convince myself that I am worthy and that what I have to say is not a pile of shit.”
I left work early one afternoon this summer to bike to the library at 52nd Street. It was closing at five p.m. that day and I needed a book — This Bridge Called My Back, the 80s-era anthology of essays by radical women of color edited by Gloria Anzaldúa and Cherríe Moraga. (Once I decide what book I want to read next, I need it desperately, immediately, and will rearrange my day to go get it.)
That’s where I read it: “Why am I compelled to write?” Anzaldúa asks in “Speaking in Tongues: A Letter to 3rd World Women Writers.” “To convince myself that I am worthy and that what I have to say is not a pile of shit.”
And I wondered, did I think that? Did I feel like my words weren’t worth writing?
Yeah. At some level, I just didn’t have that confidence in my thoughts, my voice as a writer. Much of my published work has been very straight reporting. I realized I was scared to put too much of myself in it, whether it was my take on an issue or my personal experience.
That changed this year. 2015 was the year that I decided that I was worth listening to. That I could be so bold as to think that someone would want to read what I wrote, that someone would care about my take. If I thought someone was worth a 1,800 word profile, I would trust that instinct and go for it. I would stop questioning myself. I would take up all the space (and try to stop apologizing for doing s0).
Looking back at my favorite work from this year, I can see that shift clearly. I’ll get more into that below, but first, I wanna say that journalism was just one part of my year in writing. I wrote obsessively this year, often at bars alone, leading many people to ask if I was a restaurant critic (pro tip: they will send you free food for this reason), but also plenty in bed. I wrote letters, poems, essays about my grandparents, so many diary entries. Most of those aren’t to share, not yet at least, but some of the poems are on my fledgling Tumblr.
My other big writing accomplishment was debuting Dream d’Oiseau, a series of short films based on poems about my dreams. My best friend and I had been making them since last year but only made them public this summer. Here’s one of my favorites, which we filmed in March, on our porch.
Below, a look at the work I’ve been proudest of this year. With enormous thanks and gratitude to my editor Zack Seward.
These devs delved into the world of Backbone.js and were blown away by what they found
How the world of open source changed the way Squareknot’s tech team thinks about development.
Even though I’ve been writing about tech for more than three years, I’ve historically stayed away from writing about more technical topics because they intimidate me. That’s why I was really excited about this piece, where I went out of my comfort zone and wrote a longform narrative about open source technology. And YES I WROTE THE CLICKBAIT HEADLINE.
Brand.com has mysteriously disappeared
The domain is for sale. The emails are dead. The top execs are gone. The office is dark. What happened to online reputation management firm Brand.com?
Ugh, this one was so much fun to report. Especially traveling to the Brand.com office to scope out the scene. I felt very gumshoe reporter. PhillyMag mentioned it on their year-end list of the best Philly journalism.
I’m a woman of color. But that’s not why I felt like an outsider in the Philly tech scene
One reporter ponders her role in making a tech scene more inclusive.
I was incredibly nervous to write (and perform) this essay for my company’s first live podcast recording. I had never written anything personal for work, ever, and suddenly our editorial director Chris Wink was asking me to write about something as personal as diversity in the tech scene. (Also, he said: Can you write an essay that would incorporate dancers and social media? So that complicated things.) But I was really heartened by the response to this piece, and I think it’s a big reason I felt like it was OK to keep sharing more of myself in my work.
Dj CUTMAN’s day job is playing old-school video game music
Chris Davidson used to busk on the streets of Ithaca, playing remixed video game music through his speakers. Now he makes a living off of it. Here’s how Dj CUTMAN came to be.
These two guys prove that you are doing Tinder all wrong
Two best friends hacked Tinder to make it work for them. Just how well does it work? This reporter went on a double date to find out.
First time I ever went on a date and wrote about it for work. Really goin’ for it.
Meet Philly’s online dating guru for Asian women
Can WeLove’s Keira Peng teach Asian women to take control of their lives through the platform of online dating?
At Philly’s new observation deck, voices of color shouldn’t be left out
AAJA-Philadelphia co-president Juliana Reyes was reporting a story last week when she came across something troubling…
A bit of activism, sparked by something I found out while reporting for another story. The observation deck has since launched and the team over there has given me the vague update that they have plans to add more voices of color in the future. Meh.
Why this is Philadelphia’s biggest open data victory to date
A hundred bucks and a CD-R used to get you access to city property data. Now the high-profile data set is free. The long road to its release is a case study that other cities should learn from.
This longform story was the result of beat reporting over the course of three years. It’s also the reason my editor gave me one of my most favorite compliments.
Mark Chadwick is over startups
He was part of one of the buzziest Philly tech exits in the city’s web 2.0 era. Now he’s at the helm of another venture-backed startup. But after that, Mark Chadwick wants something else. He wants to do, well, good.
Hey, startups: If you want to get our attention, please don’t do this
A case study in how not to pitch the media — and a few helpful pointers, too.
Another example of feeling confident enough to use my voice. With thanks to my colleagues Tony Abraham for encouraging me to write this piece and Alisha Miranda for the Whoppers that you see on my desk.
Ladies and gentlemen, Philadelphia officially has a new 15-year Comcast franchise deal
After nearly a year of negotiations, City Council unanimously approved the deal Thursday.
Maybe my proudest accomplishment of the year, my ongoing coverage of the city’s franchise negotiations with Comcast. That’s just one story but you can find the whole series here. Back in April, when the negotiations were just getting started, I did not want to cover them. I was intimidated by the whole thing because I didn’t understand what was going on (which led to this explainer), but it evolved into a story that I found so compelling and important. I was really proud of turning hours and hours of City Council hearings into a narrative.
“Writing is the most daring thing I have ever done and the most dangerous. … Writing is dangerous because we are afraid of what the writing reveals: the fears, the angers, the strengths of a woman under a triple or quadruple oppression. Yet in that very act lies our survival because a woman who writes has power. And a woman with power is feared.”
In 2016, I resolve to be feared.