Katherine ChuOasis一個小小的攤亭,有能屈能申的關節,收發自如,不畏辛勞;安然接受’佈景板’之角色,願將’載物’襯托得淋漓盡致。換一個鏡頭,小攤亭獨處於沙漠中,景象恍似海市蜃樓。在患得患失之際,身不由己,小攤亭已成為荒漠中尋覓者之綠洲。Feb 6, 2022Feb 6, 2022
Katherine ChuSugar R本來係一個公共藝術參賽作品,以製糖提煉器(Sugar Refinery Machine) 為形象構思主體;無奈事與願違,比賽結果未能奪魁而鎩羽而歸,正當憂愁此概念苦無棲身之所之際,失望的憂愁已化為願望之風,將此’製糖提煉器’吹向熱情如火的火星,繼續製造甜甜的夢想。Feb 6, 2022Feb 6, 2022
Katherine ChuAsserting Power over Death through Physical-Poetic Metaphors:The Wordy World of Dylan’s Thomas’ “Especially when the October wind”Feb 6, 2022Feb 6, 2022
Katherine ChuThe Paradox of the “Unspeakable” Story: The Impossible yet Necessary Translation of Trauma into…in Lorrie Moore’s People Like That Are The Only People Here: Canonical Babbling in Peed Onk and Toni Morrison’s BelovedFeb 6, 2022Feb 6, 2022
Katherine ChuThe Translation of Pain into Poetryin Wilfred Owen’s Dulce et Decorum Est and Isaac Rosenberg’s Dead Man’s DumpFeb 6, 2022Feb 6, 2022
Katherine ChuCultural Significance of Food to the Treatment of Immigrant Identitiesin Madeleine Thien’s Simple RecipesFeb 6, 2022Feb 6, 2022
Katherine ChuA Grain of HopeHoneyed beams reached down to brush the tips of the trees, as the sky stretched above us like a taut sapphire sheet. The sun was just a…Feb 6, 2022Feb 6, 2022