Published in(in)visible (de)signsReflecting on formal design educationWhat is the role and meaning of design education? As a field of study that is firmly rooted in practice, is the purpose of design…Feb 8, 2020Feb 8, 2020
Published in(in)visible (de)signsTeaching typography across cultures: a few tentative thoughtsAt the ATypI working seminars in Colombo, Sri Lanka, I shared my experience in teaching typography across cultures. My focus was not the…Apr 2, 2019Apr 2, 2019
Published in(in)visible (de)signsCan artificial intelligence replace (graphic) designers?A few thoughts on the role of graphic designers, prompted by Ken Garland’s words from 1966.Aug 26, 2018Aug 26, 2018
Published in(in)visible (de)signs李炎記花牌的獨特字體剛看過香港電台一集《香港故事》，採訪了元朗舊墟李炎記花店的李氏兄妹李翠蘭、李志南，看畢感慨良多。Feb 12, 2017Feb 12, 2017
Published in(in)visible (de)signs斜體的故事對一般文字處理軟件的用戶來說，要把字體「弄斜」，輕輕點擊一下「I」字圖示便成了。斜體（或稱「意大利體」，兩者其實有所不同）背後的歷史、意義和設計風格卻很不簡單。Aug 12, 2014Aug 12, 2014
Published in(in)visible (de)signsDesign 360° 訪談轉載自〈對話：香港理工大學設計學院(譚智恒)〉《Design 360°》2014年6月第51期「字語」，頁26–33Jul 29, 2014Jul 29, 2014
