Published inPractice in PublicYou Can’t Fake a Voice That Moves PeopleThe lines that hit hardest are often the ones you almost deleted.3d agoA response icon13d agoA response icon1
Published inPractice in PublicThe Smartest Writing Advice I Ever IgnoredAnd why I’d ignore it all over again6d agoA response icon26d agoA response icon2
Published inPractice in PublicYour Voice Isn’t Missing. You’re Just Editing It to Death.The more you try to sound “right,” the less you sound like yourself.Jun 9A response icon1Jun 9A response icon1
Published inPractice in PublicThe About Page You Write Last Might Be the Only One That WorksStop writing your About page like a trailer for a movie you haven’t made yet.Jun 4Jun 4
Published inPractice in PublicYour About Page Isn’t About You (But You Kinda Wish It Was)Your About page shouldn’t make you look good. It should make readers feel seen.Jun 2A response icon1Jun 2A response icon1
Published inPractice in PublicThe 4 Types of Edits I Do Before I Let Anyone Read My WorkI used to edit like a writer. Now I edit like a reader. Here’s what changed.May 30A response icon6May 30A response icon6
Published inPractice in PublicThe Invisible EditHow to make your writing feel smoother — without calling attention to the workMay 28A response icon2May 28A response icon2
Published inPractice in PublicIf It’s Clear to You, But Not to Them, It’s Not ClearWhy your draft still feels ‘off’ — even when the sentences seem fine.May 27A response icon1May 27A response icon1
Published inPractice in PublicThe Best Line You Wrote Might Be the First One You Should CutIf your favorite line is slowing the reader down, it’s not helping. It’s vanity.May 26May 26
Published inPractice in PublicThe Best First Sentences Feel Like ThisNot clever. Not clickbait. Just undeniable.May 23May 23