Understanding Indian Classical Music

Kruti Munot
Jul 30, 2017 · 3 min read

Originally published at blog.krutimunot.com on 7 August, 2013.


If you feel like you’re in an alien country every time somebody discusses Indian Classical music around you, this could help…

Essentially, all of Indian classical music is made up of 12 notes. These are called swars (or swaras). There are seven basic swars, each one step away from the other.

  1. Sa
  2. Re
  3. Ga
  4. Ma
  5. Pa
  6. Dha
  7. Ni

…but these are only seven! What about the other five?

The other five are what western musicians would call sharps or flats, they are half a step below or above the basic swars.

These are:

  1. Komal Re
  2. Komal Ga
  3. Teevra Ma
  4. Komal Dha
  5. Komal Ni

Komal means soft (analogous to flat notes in western music), and teevra means sharp. Notice that Sa and Pa don’t have a komal or teevra swar.

One octave of these notes is called a saptak. These notes, on a keyboard, would be placed like this:

Note: Sa can be placed anywhere on the keyboard, the notes are all relative to the initial note.

Swars are the building blocks of Indian classical music. Now that we know the basic blocks, let’s start making the building.

When you play (or sing) the swars in a certain pattern, you create an alankar. The most common alankar taught to students is the normal ascend and descend of the swars:

Sa Re Ga Ma Pa Dha Ni Sa; Sa Ni Dha Pa Ma Ga Re Sa

Alankars are of different types, with a lot of variations in each type. They are one of the first things you learn as a student of Indian classical music.

Raag (or raga)

The twelve swars are like colors in a box. To make a painting, you take only a handful of those in your palette, with a main base color. These selected colors make a theme for your painting.

That selection of colors on your palette is a raag in Indian classical music. There are endless possibilities of mixing and matching these swars, but all raags adhere to some basic rules. A raag is the most fundamental part of any classical song. Every song is based on one or more raag(s).

If you’ve attended a classical music performance, you’d have noticed the artist speaking about the song’s raag before starting the song.

This is a song based on Raag Chayanat by Anuradha Kuber. All the notes used in the song will be taken only from the set of swars used in raag chanayat.

The rhythms or taals

At 0:05 of the video above, beats start playing in the background. These are played on the tabla.

Tabla

The sequence of beats played on the tabla (or any other percussion instrument) is called taal. Every sound on the tabla is called a bol, and a taal is a combination of these bols.

There are over a hundred different taals. Without taals, Indian Classical music would be extremely bland.

The tempo of the song is called its laya. There are three types of layas, slow, medium and fast.


Done! I think this covers up a lot of basics of Indian (Hindustani) Classical music that everybody should know to understand it better.

Here’s a bonus song, called Kanha Re. The beats are Teen Taal and it is based on Raag Kedar.

Kanha Re — Raag Kedar, Teen Taal

Originally published at blog.krutimunot.com on 7 August, 2013.

Kruti Munot

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environment, development and innovation.

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