KJ KniesinNo Proscenium‘BITE’ Nips at Immersive Dining (Review)The Count’s Den mixes sandbox immersive and dinner theater in LANov 18, 2019Nov 18, 2019
KJ KniesinNo ProsceniumA Reason for Being: Theatrical Poetry in Son of Semele’s ‘Mr. Crow’ (Review)A mostly traditional show features some intriguing immersive elementsMar 5, 2019Mar 5, 2019
KJ KniesinNo ProsceniumThe Immersive Design Summit Diaries: KJHere we go! Immersive Design Summit 2019. It goes without saying — but this is set to be an exciting year for IDS, with speakers from…Feb 22, 2019Feb 22, 2019
KJ KniesinNo ProsceniumStepping into Hell: Sartre’s ‘No Exit’ (Review)Noisy Nest’s adaptation makes an interesting choice that doesn’t quite work.Feb 12, 2019Feb 12, 2019
KJ KniesinNo ProsceniumThis Californian Neo-Western Opens Up A ‘Hole in the Sky’ (The NoPro Review)The lastest site-adaptive piece from LA’s Circle X Theatre CompanySep 4, 2018Sep 4, 2018
KJ KniesinNo ProsceniumLove’s New Normal: ‘4PLAY’ (Review)trip.LA’s unconventional staging of a 21st century romanceMar 22, 2018Mar 22, 2018
KJ KniesinNo ProsceniumLA’s Pop-Up Theater Orders Up A Twist With ‘Pizza Man’ (Review)A site-specific comedy of gender-role bending proportionsMar 5, 2018Mar 5, 2018
KJ KniesinNo ProsceniumLife, Mediated: VR Playhouse’s ‘The Surrogate’ (Preview)The Los Angeles production house aims for immersive 360 videoMar 1, 2018Mar 1, 2018
KJ KniesinNo ProsceniumTelltale Games and Steven Soderbergh’s ‘Mosaic’A defense of the “choose-your-own-adventure” formatFeb 19, 2018Feb 19, 2018
KJ KniesinNo ProsceniumThe Play’s The Thing: ‘Gone Home’The first in a series on gaming and immersive entertainmentOct 11, 2017Oct 11, 2017