Leah AblesoninNo ProsceniumA Lesson on Inclusion at ‘Romeo and Juliet’ (The NoPro Review)A fresh take by Educational Mobile Immersive Theatre in NYC favors diversity and creativityApr 24, 2019Apr 24, 2019
Leah AblesoninNo ProsceniumThe Train-Themed ‘Passengers’ Struggles to Move Its Audience (The NoPro Review)The personal storytelling show relies too heavily on forced audience participationMar 6, 2019Mar 6, 2019
Leah AblesoninNo ProsceniumSecond Star to the Right, and Straight On ’Til ‘Shadowplay’ (The NoPro Review)Ticking Clock Theatre takes us deep into author J.M. Barrie’s mindDec 5, 2018Dec 5, 2018
Leah AblesoninNo ProsceniumBlind Hate and Blindfolds: Exploring ‘We Have Standards’ (Review)No Peeking Theatre presents their first comedyNov 19, 2018Nov 19, 2018
Leah AblesoninNo Proscenium“Don’t Dream It, Be It”: Finding Immersive Roots in ‘The Rocky Horror Picture Show’Come along now, we’re doing the Time Warp again…Oct 31, 2018Oct 31, 2018
Leah AblesoninNo ProsceniumWorking Towards Liberation at ‘Escape from Marseilles‘ (A NoPro Adventure)Sinking Ship Creations presents Betsy Isaacson’s roleplaying experienceOct 5, 2018Oct 5, 2018
Leah AblesoninNo ProsceniumTwinkies, Beer, and the End of the World: ‘The Bunker‘ (A NoPro Adventure)Broken Ghost Immersives’ latest work mashes up the best of LARP, theatre, and gamingJul 30, 2018Jul 30, 2018
Leah AblesoninNo ProsceniumStuck In-Between With ‘The Limbo Lounge’ (Review)The ups and downs of the site-evocative “immersive play-sical”Jul 25, 2018Jul 25, 2018
Leah AblesoninNo ProsceniumBuilding a New World Together with ‘Project Ascension’ (A NoPro Adventure)Cyberpunk LARPing in NYC with Sinking Ship CreationsJun 5, 2018Jun 5, 2018
Leah AblesoninNo ProsceniumBoarding the Train with ‘Dutchman’ (The NoPro Review)An intimate, immersive staging of the racially-charged play from 1964Feb 23, 2018Feb 23, 2018
