Zahra S.Language and Distance: One Night in Lucky Kuswandi’s “Selamat Pagi, Malam”There is no place for us here.Jan 17, 2023Jan 17, 2023
Zahra S.Of the Mother, the Munchausen, and the Muse’s Revenge in Paul Thomas Anderson’s “Phantom Thread”I am older, and I see things differently. I finally understand you.Jan 17, 2023Jan 17, 2023
Zahra S.On Shunji Iwai’s “A Bride for Rip Van Winkle”Shunji Iwai’s masterpiece on the meaning of happiness.Jan 17, 2023Jan 17, 2023
Zahra S.Fanfiction dan Perempuan dalam Komunitas FandomFanfiction secara singkat adalah karya sastra fiksi yang ditulis oleh fans berdasarkan karya fiksi atau realita yang sudah ada sebelumnya…Sep 1, 2022Sep 1, 2022
Zahra S.Love As a Religious Experience: The Dark Romanticism in Hozier’s “Take Me to Church”Born Andrew Hozier-Byrne, Hozier’s fame as a musician skyrocketed when his debut single, Take Me To Church, became a hit in 2014. The song…Sep 1, 2022Sep 1, 2022
Zahra S.The Transformation and Weaponization of Marginalized Bodies in Kate Osias’ “The Unmaking of Cuadro…The loss and reclaiming of agency of marginalized people’s bodies are portrayed in the short stories by two Southeast Asian writers: Kate…Sep 1, 2022Sep 1, 2022
Zahra S.The Methods of Focalization in Short Stories by Carver, Hemingway, and AidooIn Gerard Genette’s theory of narratology, there are four narratological aspects that are important in order to understand how narrative…Sep 1, 2022Sep 1, 2022
