Laura HessinNo Proscenium‘Luna Luna’: A Forgotten Fantasy and a Preserved Promise (The NoPro Review)The art amusement park spotlights the true potential of experiential showsDec 21, 2023Dec 21, 2023
Laura HessinNo ProsceniumJónsi: Vox (Capsule Review)[Original publication: No Proscenium, 11/22/23]Nov 28, 2023Nov 28, 2023
Laura HessinNo Proscenium‘STAR CHOIR’s Message Is Lost in a Bottle of Space Dust (The NoPro Review)LA’s The Industry makes unenterprising missteps with its new operaOct 12, 2023Oct 12, 2023
Laura HessinNo ProsceniumTomás Saraceno In Collaboration: Web(s) of Life (Capsule Review)[Original publication: No Proscenium, 7/25/23]Aug 7, 2023Aug 7, 2023
Laura HessinNo ProsceniumThe Network (Capsule Review)Hammer Projects: Chiharu ShiotaJun 30, 2023Jun 30, 2023
Laura HessinNo ProsceniumFair Trade (Capsule Review)[Original publication: No Proscenium, 5/9/23]May 18, 2023May 18, 2023
Laura HessinNo ProsceniumArsham Auto Motive (Capsule Review)[Original publication: No Proscenium, 4/11/23]May 3, 2023May 3, 2023
Laura HessinNo ProsceniumTin Drum: Medusa (Capsule Review)[Original publication: No Proscenium, 4/11/23]Apr 25, 2023Apr 25, 2023
Laura HessinNo ProsceniumDesert X 2023 Begets Apathy and Heartbreaking Magic (Review)Coachella Valley hosts the biennial’s fourth U.S. exhibitionApr 6, 2023Apr 6, 2023
Laura HessinNo ProsceniumMulyana: Modular Utopia (Capsule Review)[Original publication: No Proscenium, 3/7/23]Mar 21, 2023Mar 21, 2023