Lauren WarneckeinJOMBA!/KHULUMA BlogBlame it on the rain: Three dances impacted, though not inspired by a spring rain in DurbanBy Lauren WarneckeSep 9, 2018Sep 9, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogSpotlights and manifestos on final JOMBA! nightA review of Aȉda Colmenero Diaz and Haja Saranouffi by Marcia MzindleSep 9, 2018Sep 9, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogRain, plastic bottles and the meaning of life bring down the curtain on JOMBA!A review of ‘One-One-One’, ‘Aka Nativa’ and ‘Dance des Bouteilles’ by Saranya DevanSep 9, 2018Sep 9, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogA kaleidoscope of art and a turn in the ‘hot seat’Our resident writers respond to JOMBA! @ DAGSep 8, 2018Sep 8, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogA cocktail of emotions felt in Unmute/Flatfoot collaborationsA review of ‘Aslama’ and ‘The Longitude of Silence’ by Sizwe HlopheSep 7, 2018Sep 7, 2018
Lauren WarneckeinJOMBA!/KHULUMA Blog‘Udodana’ draws from memory in a dance about black masculinityA review of Musa Hlatshwayo’s “Udodana” by Siphokazi SotsakaSep 6, 2018Sep 6, 2018
Lauren WarneckeinJOMBA!/KHULUMA Blog‘Udodana’ negotiates culture, religion and the bodyA review of Musa Hlatshwayo by Marcia MzindleSep 6, 2018Sep 6, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogWhen the process is as poignant as the productA reflection on Unmute and Flatfoot Dance by Tammy BallantyneSep 6, 2018Sep 6, 2018
Lauren WarneckeinJOMBA!/KHULUMA Blog‘You Don’t Own Me’ more than just a soundtrack at JOMBA! On the EdgeBy Lauren WarneckeSep 5, 2018Sep 5, 2018
Lauren WarneckeinJOMBA!/KHULUMA BlogA microcosm of diversity with On the Edge’s trilogy of contemporary voicesA review of JOMBA! On the Edge by Sanam SitaramSep 5, 2018Sep 5, 2018
