Lauren BelloinNo Proscenium‘Rio Records’ Is All Over the Map (The NoPro Review)13Exp’s multimedia experience inspired by the LA River leaves us feeling adriftJan 18, 2021Jan 18, 2021
Lauren BelloinNo ProsceniumLA’s Shine On Collective Needs You For ‘The Ritual’ (Review)The indie immersive makers are back with their Fall offeringSep 27, 2019Sep 27, 2019
Lauren BelloinNo Proscenium‘The Shadow Space’ is a Murder-Mystery Dinner with a Twist (Review)The Best Medicine Productions’ show blends up escape rooms, immersive theatre, and a mysteryMay 15, 2019May 15, 2019
Lauren BelloinNo ProsceniumThe Stars Are Aglow in ‘moonlight serenade’ (The NoPro Review)Candle House Collective’s latest experience takes us to distance placesMay 6, 2019May 6, 2019
Lauren BelloinNo ProsceniumThe ‘F’ is For Farce: ‘F(ord Focus)’ Marks The Return of The ABC Project (The NoPro Review)LA-based writer/director Annie Lesser’s location-inspired series gets sketchyMar 12, 2019Mar 12, 2019
Lauren BelloinNo ProsceniumCalls in the Night: ‘Crossed Wires’ (The NoPro Review)Candle House Collective’s latest ARX dials up deep feelingsNov 6, 2018Nov 6, 2018
Lauren BelloinNo ProsceniumThe Intimate ‘Snow Fridge: Halloween Edition’ is a Spa for the Soul (A NoPro Second Look)NoPro contributor Lauren Bello returns to the Hollywood Fringe favoriteOct 22, 2018Oct 22, 2018
Lauren BelloinNo ProsceniumMaking Connections: A #NOFILTER ARX Diary & Review (Updated 11/28/2018)NoPro Adventure correspondent Lauren Bello tracks the new ARXOct 15, 2018Oct 15, 2018
Lauren BelloinNo Proscenium‘Wicked Lit’ 2018 Turns Back The Clock, And Not Always For the Best (The NoPro Review)The LA Spooky Season perennial’s natural old school charm crashes into the cultural realties of 2018Oct 8, 2018Oct 8, 2018
Lauren BelloinNo ProsceniumPlaying with the Bard: ‘R+J’ Takes a Stab at Interactive Shakespeare (NoPro Notes)We give IKantKoan Games’ Fringe Festival interactive a spinSep 27, 2018Sep 27, 2018