Sean RandallinCineNationIn Defense of the Villain SongTime for a Disney-themed Thanksgiving throw downNov 26, 20193Nov 26, 20193
Sean RandallinCineNationOn the Dangers of Rejecting CriticismWith Game of Thrones at its controversial end, a strange trend has come to its defenseMay 21, 20191May 21, 20191
Sean RandallinCineNationWhy Marvel Should Hire the WachowskisMaking the case for bringing the makers of The Matrix to the MCUMay 19, 20171May 19, 20171
Sean RandallinCineNationFeminisney: The “Winnie the Pooh” FilmsDiscussing the unfortunate trope of The Default MaleMay 2, 2017May 2, 2017
Sean RandallinCineNationFeminisney: “The Fox and the Hound” and “Oliver & Company”A veritable menagerie of feminism… or notApr 17, 2017Apr 17, 2017
Sean RandallinCineNationFeminisney: “The Black Cauldron” and “The Great Mouse Detective”Disney’s oft-forgotten return to the United KingdomApr 8, 20171Apr 8, 20171
Sean RandallinCineNationCritical Failure: Why Audiences Might Not Like What Film Critics SayLooking at the trend of treating critics as outsidersMar 31, 20173Mar 31, 20173
Sean RandallinCineNationFeminisney: “The Rescuers” and “The Rescuers Down Under”Can two mice rescue children AND feminism?Mar 28, 20171Mar 28, 20171
Sean RandallinCineNationFilm Review: Beauty, Beast, and the Burden of the RemakeExamining the industry implications of “Beauty and the Beast”Mar 17, 20172Mar 17, 20172
Sean RandallinCineNationFeminisney: “Beauty” and Some BrainsPlus: Is “Beauty and the Beast” really just Stockholm Syndrome?Mar 12, 2017Mar 12, 2017