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The recent history of cultural exchange between France and the United States would appear to be defined by “freedom fries” and boycotts against Beaujolais — or, on the other side of the Atlantic, by enraged farmers toppling statues of Ronald McDonald. But this dismal state of affairs is a long way from the mutual admiration that followed World War II, epitomized in a 1958 cover of Look magazine that declared “Brigitte Bardot conquers America.” It’s So French! explores the close affinity between the French and American film industries that flouris
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Book ID Asin: 0226742431
Book Title: It’s So French!: Hollywood, Paris, and the Making of Cosmopolitan Film Culture
Book Author: Vanessa R. Schwartz
Book Format and Price:
Book Format Name: Hardcover
Book Format Price: $75.00
Book Format Name: Paperback
Book Format Price: $35.00
Book Price: $35.00
Book Category: Books, Humor & Entertainment, Movies and unknown
Book Rating: 4 ratings
It’s So French!: Hollywood, Paris, and the Making of Cosmopolitan Film Culture by Vanessa R. Schwartz Book Review
Name: K
Rating: 5.0 out of 5 stars
Title: Buy this book!
Date: Reviewed in the United States 🇺🇸 on July 24, 2014
Review: excellent reference book. I first borrowed it from the library, then HAD to have it. anyone that is serious about knowing about that specific time in the last century when french cinema exploded- THIS is a must have!!! Not just as a pop culture history book, but as a socio-political point of reference for Postwar France.
Name: Edward
Rating: 2.0 out of 5 stars
Title: a good book but…
Date: Reviewed in the United States 🇺🇸 on January 21, 2008
Review: Schwartz’s It’s So French presents original research on a vital topic, and the book is very attractively illustrated. However, I regret to say that this is the most poorly edited serious academic book I have ever read.
Here are just a few examples of the many errors or misspellings: Mary Cassat (for Cassatt), Martine Carole (for Carol), Gérard Philippe (for Philipe), Edwige Feuillière (for Feuillère), Jean-Henri Clouzot (for Henri-Georges Clouzot), Edward Dymtryk (for Dmytryk), Wolfe Mankowitz (for Wolf), Siegfried Kracaueur (for Kracauer), Antonie de Baecque (for Antoine), Jean Domachi (for Domarchi), Ginnette Vincendeau (for Ginette), Akira Friye (for Iriye), John Tomlison (for Tomlinson), Barbara Wilinksy (for Wilinsky), Richard Matby (for Maltby), Moritz de Hdealn (for Hadeln), Berghann Books (for Berghahn), Paparrazi (for Paparazzi), Nôtre Dame (for Notre Dame), Arc du Carousel (for Carrousel), Lutton (for Luton), Du Rififi chez les homes (for hommes), Les enfants du paradise (for paradis), Les orgeuilleaux (for orgueilleux)… and so on.
It must be particularly galling for so gallophile an author to discover so many misspelt French names in her book. Much of this could be blamed on the poor copy-editing: the University of Chicago Press clearly did not hire someone who knew French or anything about film theory to do that job… in fact the frequent errors of punctuation, syntax and bibliographical form suggest they didn’t hire a copy-editor at all. Schwartz thanks the editors at the press for accepting a book that would be `expensive to publish’: I doubt if she is thanking them now.
That said, only she can be blamed for the several errors of fact in the book, for example: La symphonie pastorale is a film about a pastor in Switzerland, not a `French Resistance movie’; Le ballon rouge is set and filmed in Ménilmontant, not Montmartre; in the famous dance sequence of Et Dieu créa … la femme, Bardot dances to a Cuban mambo, not a Brazilian samba, and the musicians in question are Mexican, not `clearly Afro-Brazilians’. On this last point Schwartz denigrates scholars `who have referred to the musicians as African’. Such hubris is what has prompted me to list in this review a few of the book’s countless defects. I can only hope that the author and editors will read this review before embarking on a second edition.
Name: Lisa Adams
Rating: 5.0 out of 5 stars
Title: A Book for Francophiles and All Who Love Movies
Date: Reviewed in the United States 🇺🇸 on January 27, 2008
Review: This is a breathtaking book that completely upends everything that I thought I knew about Americanization and globalization, the French New Wave, cultural cliches and so much more. It’s So French shows — in a lively and very compelling way — how a partnership between Paris and Hollywood laid the foundations of post-war global culture. Schwartz is a great story-teller, and has dug up amazing stuff on Cannes, art-house theaters, and Bardot in America. A brilliant book that will make you think differently about everything from post-war cinema to Freedom fries!
Name: Jon Wiener
Rating: 5.0 out of 5 stars
Title: It’s so smart — and so original
Date: Reviewed in the United States 🇺🇸 on December 3, 2007
Review: Vanessa Schwartz’s book opens with an amazing Look magazine cover from 1958: “Ike’s Tragedy” on one side, “Brigitte Bardot conquers America” on the other. Historians have been teaching that this was the era when American popular culture conquered Europe and the world. But Schwartz shows that “Frenchness” became a crucial part of global film culture after WWII. The book is essential reading for anyone who cares about film in the fifties and sixties.
