The Griot Introspect – Medium

The Griot Introspect

The Griot Introspect

Development is coming to Ashaley Botwe

The rebuilding of the road to School Junction is paved with political intention — an undertaking that will be wrapped around our necks…

Oct 20, 2018

Development is coming to Ashaley Botwe

Oct 20, 2018

The Griot Introspect

The Reactionary City

Accra City’s task force has been through Madina Zongo Junction, clearing away vendors and destroying their structures; this in response to…

Aug 1, 2018

The Reactionary City

Aug 1, 2018

The Griot Introspect

It occurred to me this afternoon

That the peaceful trickle of this Unnamed River

Jun 13, 2018

It occurred to me this afternoon

Jun 13, 2018

The Griot Introspect

The Griot Introspect

Whose Utopia is it, Anyway?

May 28, 2018

The Griot Introspect

May 28, 2018

The Griot Introspect

Whose Utopia Is It, Anyway?

(An incomplete thought in the suburbs)

May 28, 2018

Whose Utopia Is It, Anyway?

May 28, 2018

The Griot Introspect

The Revolution Must Be Properly Paved

And yet hope lives, in every gutter leap, every pothole swerve, every dark road lit.

May 26, 2018

The Revolution Must Be Properly Paved

May 26, 2018

The Griot Introspect

I like to think that

there are mates too,

May 26, 2018

I like to think that

May 26, 2018

The Griot Introspect

There Was Once a Tree

There Was Once a Community

May 26, 2018

There Was Once a Tree

May 26, 2018

The Griot Introspect

A Love Letter to Accra

If you want to know whether your city is built for you, take the short walk from Spanner to Accra Mall.

May 26, 2018

A Love Letter to Accra

May 26, 2018

The Griot Introspect

THE PRIVILEGE OF SCALE

“You see the power of names? These people didn’t want to live in Nanakrom. Then they changed the name to ‘East Legon Hirrrrlls’ and now the…

May 26, 2018

THE PRIVILEGE OF SCALE

May 26, 2018

The Griot Introspect

The Griot Introspect

Towards the Decolonisation of African Architecture + Cities. Return the Development Narrative to Those Who Live It. Facilitated by Namata Serumaga-Musisi

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