Feature-length Screenplay in 10 Weeks

Photo Credit

Yesterday, I got my 90+ page feature script submitted.

It was my first attempt to submit a full length script within 10 weeks at the program. (*Last quarter it was a 30-page First Act.)

I began to get the knack of the neck-breaking pace of the program. And to my surprise, I enjoyed it — looking back now. I can shout at the top of my lungs —

“I did it. My script may be shit, but I survived.”

What did we cover in the 10-week writing workshop?

  • The first week was the pitch week. We shopped for instructors in hope of getting picked by one.
  • The second week we came up with a treatment. (A treatment is a 2-page double-spaced story flow.)
  • The third was the beat sheet (aka. Step Outline) that covers the three acts.
  • From the fourth week and on, we attended workshops that critique 6–10 pages of 10 screenwriters.

I feel so much more confident after this whole nerve-wrecking quarter. I like “The show must go on” mentality. It is never finished, it can always improve.

Right after the submission, I began the “script exchange” with two of my screenwriting cohorts — Two guys. I have a better rapport with the guys in the program. In the artistic arena, I need reason to balance feeling. A nice girl in the program cried the other day, saying she was afraid of the future. I don’t know what just happened to her. And I don’t want to judge. But from her explanation, she was overwhelmed. I joked that I am the foreigner (native-born Chinese) writing in my second language. I am the definition of “Underdog.” How much worse can that be? I hoped that cheered her up.

I also realized why I prefer hanging out with the lads more. They are more focused on the work itself. They are more thick-skinned.

Writing needs that mentality. Focus on how to get better rather than how am I ever gonna be as good.

In a way, I now feel better about being a foreigner — not as an excuse, but leaving no room for excuses. I can do nothing but hone my craft. There is no “but.” I already start late and practise less than the native students. And I don’t intend to compare. It will damage my morale. But this is what I am invested in — Practise more, it will be show in the result. Whether I will win some awards? It’s not my current-stage concern.

At the beginning of this quarter, I thought I might be overwhelmed by the size of the task. So I took three classes instead of four. I could have done more.

For the Spring Quarter, I might take 2–3 writing classes (feature-90+pages, comedy spec-30 pages, sketch comedy), and then another class. Or just three writing classes.

Quit dreading and write.

One clap, two clap, three clap, forty?

By clapping more or less, you can signal to us which stories really stand out.