The Typography of ‘Stranger Things’
Sarah Gless

Thank you, Sarah. When a title sequence, font selection and buzzing 80's sequenced synth patch meet two favorites of film past (Winona Ryder, Matthew Modine), you’ve got my attention.

But the real porn here was your lovely descriptive historical piece. Herb Lubalin’s genius inspired me as a young designer to pare down my font selections and really work leading and spacing. (Of course, didn’t we all eventually return there, after venturing into Neville Brody land and attempting to co:opt his Fuse mashups for a while?)

Beautiful piece you composed. Now, to queue Netflix and see if the media can match the excitement of your message. I thank you.