Roberta Smith: A Titan of Art Criticism and an Inspiration to Women in the Arts
As an art dealer with a decade of experience, I have had the privilege of witnessing the transformative power of art and the critical voices that shape its discourse. Among these voices, Roberta Smith stands out as an unparalleled figure whose contributions to the art world are both profound and enduring. Her recent retirement from The New York Times marks the end of a remarkable era, and it is with deep respect and admiration that I reflect on her extraordinary career.
Roberta Smith’s journey in art criticism is nothing short of inspirational. She began her career in the 1970s, writing for prestigious publications like Art forum and Art in America. Her sharp intellect and fearless critique quickly made her a respected name in the art community. In 1986, she joined The New York Times, where she became co-chief art critic in 2011. Over her tenure, Smith authored more than 4,500 articles and reviews, each demonstrating her incisive analysis and unwavering commitment to the arts.
One of Smiths most significant contributions is her ability to demystify contemporary art. Her writings cover a vast array of visual arts, including contemporary, decorative, popular, outsider art, design, and architecture. This breadth of coverage has been instrumental in broadening public understanding and appreciation of diverse art forms. Smith’s critiques often blend scholarly insight with a conversational tone, making complex art concepts accessible to a wider audience. This approach has not only educated readers but also fostered a more inclusive art community.
Smith’s commitment to supporting emerging artists is another remarkable aspect of her career. She has consistently used her platform to highlight the works of lesser-known artists and smaller exhibitions. Her reviews
have often served as a springboard for these artists, bringing them critical attention and helping to shape their careers. For instance, her early support of artists like Cecily Brown and Elizabeth Murray helped propel them into the spotlight, demonstrating her keen eye for talent and her willingness to champion new voices in art.
In addition to her critical acumen, Smith has been a passionate advocate for making art accessible to all. She has long argued for museums to be free and open to the public, believing that art should be a democratic experience. Her advocacy has underscored the importance of public access to art, encouraging institutions to adopt policies that welcome broader audiences. This commitment to accessibility reflects her belief in the transformative power of art and its potential to enrich lives.
Smith’s writing is characterized by its depth, clarity, and passion. Whether she is critiquing a major museum retrospective or a small gallery show, her reviews are always thoughtful and engaging. Her ability to balance detailed analysis with an accessible writing style has made her a beloved figure among readers and a trusted voice in the art world. Her critique of Jeff Koons’ work, for example, combined sharp wit with profound insight, demonstrating her ability to engage deeply with contemporary art while maintaining a critical edge.
Beyond her written work, Smith has also made significant
contributions through teaching and lecturing at institutions like the School of Visual Arts and the Rhode Island School of Design. Her educational efforts have inspired countless students and budding critics, further extending her influence within the art community. Her lectures often draw from her extensive experience, offering unique perspectives that challenge and inspire her audience.
As a woman in the arts, I am particularly inspired by Roberta Smith’s achievements and her unwavering dedication to the field. Her career is a beacon for many of us who strive to make our mark in this industry. Smith has not only broken barriers but has also set a high standard for excellence in art criticism. Her legacy will continue to inspire and guide future generations of artists, critics, and art enthusiasts.
While her retirement from The New York Times marks the end of her regular contributions, Smith’s legacy will continue to inspire and guide the art world. Her occasional reviews will still be eagerly anticipated, and her influence will remain deeply embedded in the fabric of art criticism. As we bid farewell to her daily presence in art journalism, we celebrate the indelible mark she has left on the field.
Roberta Smith’s career is a testament to the power of thoughtful, passionate, and fearless art criticism. She has enriched the art world with her insightful reviews, championed emerging artists, and advocated for greater accessibility to art. Her work has shaped the discourse around contemporary art, making it more inclusive and accessible to all. As we reflect on her contributions, we are reminded of the vital role that critics play in the art world and the enduring impact of Smith’s remarkable career.
Thank you, Roberta Smith, for your unwavering dedication and for enriching the world of art with your profound insights and passion. Your legacy will continue to inspire and guide us for generations to come.
