Mireia Mullor VicedoAnalysis of ‘Blonde’: A Matter of PerspectiveWe delve into the lights and (many) shadows of Andrew Dominick’s film about Marilyn Monroe, where formal audacity meets a questionable…Mar 6, 2023Mar 6, 2023
Mireia Mullor VicedoReview of ‘The Eternal Daughter’: A gothic tale starring Tilda SwintonJoanna Hogg’s new film combines an atmospheric horror tale with a family drama that explores the relationships between mothers and…Feb 22, 2023Feb 22, 2023
Mireia Mullor VicedoReview of ‘Saint Omer’: Not your usual courtroom dramaOne of the most awarded films of the season, ‘Saint Omer’ is based on a powerful true story that Alice Diop uses to explore identity…Feb 22, 2023Feb 22, 2023
Mireia Mullor VicedoReview of ‘Women Talking’: not a conversation, but a revolution‘Women Talking’ could be a theatrical play –with the interior of a barn as the setting and the word as the engine of the story–, but on…Feb 20, 2023Feb 20, 2023
Mireia Mullor VicedoWhy ‘Nomadland’ was the rightful winner at the 2021 awards seasonIt was the front-runner, and for good reason. Chloé Zhao’s film is a portrait of contemporary nomadism and a study of mourning, although…Oct 4, 2021Oct 4, 2021