Designer Spotlight: Milo Baughman

In the hopes of expanding my interior design knowledge, I’ve decided to do a series on popular interior and furniture designers. Hopefully, you can find some value in this documentation of the classics! This piece is about the father of California Modernism: Milo Baughman. Popular during the late 20th century, Baughman was a child prodigy who designed his parent’s house at the young age of 13.

Left: Milo Baughman with Thayer Coggin on the Fred Armless Chaise, Right: Young Milo Baughman

As a classic modernist, he rejected ornate pre-war designs in favor of simplicity and function. He embraced the new technology that came with industrialization in hopes of making furniture and design accessible to the masses. This philosophy was a reflection of modernism: People were frustrated with the war and the opulence of the preceding generation and sought a change. Modernists believed everything from architecture, art, fashion, technology, etc. could be rethought to enhance humanity.

A traditional chair (left), which is ornate floral motifs, contrasted with a more simple and functional Milo Baughman chairs (right)

Modernists sought to rethink everything from art and furniture to literature. PS: I haven’t read the book I just found the cover cool so don’t consider it a rec!

One of Baughman’s central tenets was that good design should enhance people’s psychological and social experiences. During one of his lectures at Oregon State University, he said, “The structured environment must offer significant social and emotional benefits; it cannot simply look good. In discussing the importance of the environment, we are discussing primarily the quality and importance of human life.” For example, the unique shape of his Classic 825 Sectional is meant to foster social interaction in a group setting.

Milo Baughman sought to create engaging, social spaces. These round 825 Couches are planned to encourage social gatherings.

His signature materials included burl wood, chrome, brass, glass, and leather. These were a departure from the hardwoods such as oak that were used in traditional furniture. Hardwoods typically take longer to grow and are harder to work with, while softwoods grow faster and are easier to produce in mass.

Left: A Burl Wood table and a chrome bookcase. Right: Contrasting wood types

If you’re ever at a vintage store, look out for some of his other classic pieces. These include the swivel chair, Fred Armless Chaise, and the Cruisin’ lounge chair. I actually found an original travertine table while thrifting in Brooklyn, but alas it was about 5000$ outside my price range.

Swivel Chairs, Fred Armless Chaise and Cruisin’ Lounge Chair

Some more amazing things of his to admire!

Some old originals from a magazine article from Architectural Digest

Some more pictures — If I’m fascinated, I’ll account for the possibility you are too!

Last, but not least: These wacky chairs that remind me of a tongue!