My approach was to say that critics had identified a subset of data — called 'The 100 Greatest Films of the 21st Century' — and then compare the data points within that subset against themselves to see if patterns emerged. Again, I’m 1,000% sure there are better points to be made, but I was just interested in seeing how the titles that critics had identified looked when sorted by box office and user scores. Less Critics vs. Audiences, more Audience Preferences Contained Within Critical Data. If that makes sense?