The Greeks are very familiar with the artificial flowers uk in the crown. They also learned the art of synthesizing artificial flowers and making wreaths from the Orientals, just like the Romans. In the Middle Ages, the popularity of wreaths and headdresses led artisans to make fake flowers. Before that, only nuns made rough paper or silk flowers for the altar more or less, so the first batch of gardeners received training in the monastery.
An incomplete exposition of the century. In the fourteenth century, this humble and patient art developed, and in the following century, France and Italy became a very prosperous industry.
Flowers made of silk, paper, thin metal foil and parchment became very popular small works of art: In 1464, Margaret of Austria asked the painter Gerard Hallenberg who lived in Ghent to make silk Flowers. In the 16th century, the use of flowers for hairdressing became almost common. Vecellio is all over Italy. In the book “Habits”, he said that the women of Padua, Vicenza and Genoa “are decorated with silk and golden flowers on their heads and are very skilled in their work.” Admire the fake roses made of “silk thread”.
These flowers work with folded ribbons and are subtly transformed into floral shapes. In the 16th century, flowers were made of wax, thin metal wires (such as filigree), Venetian pearls, coral, and gold and silver foil. Later, it became a fashion to know how to make artificial flowers. In 1655, Domenico, the father of the capuchin monkey, taught how to make isinglass in Livre de Secrets. In Paris in 1673, the inventory of crowns contained more than 3,000 bundles of veils and pleated silk and hundreds of Chinese flowers made from scrolls.
The patience of the Chinese in the art of embroidery and the unparalleled gardener had a great influence on the style of French artificial flowers. Feather flowers are also very popular in Europe in this century. 18. All imported from China. In this century, artificial flowers, bouquets and garlands are almost never lacking to decorate clothes and curtains and canopies; they are made of ribbons, gold leaf, gauze or silk, with different heights and colors, almost like flowers in Saxon porcelain .
Moreau the Younger’s paintings are reminiscent of the floral passion that invaded France in the middle of this century. eighteen. In 1786, Almanach de Gotha wrote a long article about artificial flowers. He taught how to make feather flowers for geese and herons. He suggested using peacock feathers to make petals. He also described the craftsmanship of Italian flowers made from cocoons. Silkworms, due to their elasticity, can form petals well.
The unknown author provided us with the following interesting details: “This process is attributed to the Italians, who are also very good at this art: even Italian nobles participated in the production of artificial claw chrysanthemum green”. Among those flowers in Italy, the best comes from Siena.