Want to Grow as a Writer? Expand What You Read

The words a writer consumes matters. How bias can impact your craft, and what to do about it.

Nicholas E. Barron
Feb 27 · 3 min read
Photo by Prashant Gupta on Unsplash

Writers get a lot of advice. One piece of guidance we receive is to read. You can’t be a writer if you’re not a reader, the thinking goes.

And I agree. How can you be a word peddler if you’re not a word consumer? But what’s often not talked about is what a writer reads.

The words writers take in mean as much as the words a writer puts down. That’s because to be our best writing self requires seeing the world outside of ourselves. A common thread among the best writers is they know something other than their own lives.

Exposure and understanding help shape great writers. That’s why we need to be intentional with our reading. Below is a lesson I learned, and how it can help you, too.

Mix up the books

A few years ago, I listed all the books I read that year. Seventy-five percent of what I read was about World War II and written by white men. I was shocked.

Do you know the writers whose work I had never read? The list included names such as Toni Morrison, Willa Cather, Joan Didion, James Baldwin, and Ta-Nehisi Coates. These are writers who excelled at their craft, and I was not consuming their words. Not to mention, I wanted to write fiction. And yet, the only books I read were nonfiction.

We all make choices, either consciously or unconsciously, in what we read. Maybe your bias is in the genre. You like mysteries, and so all you read are mystery novels.

Photo by Annie Spratt on Unsplash

Or, your bias could be in authors. I didn’t intend to read only books by white guys. It just happens that a lot of books about World War II are by white men. Look at a list of the past dozen or so authors you’ve read. Are they all one gender, race, ethnicity, and so forth?

We can also be partial in where our books’ settings. Shortly after discovering my predilection for World War II books, I realized I rarely read something set in Africa. Now I rotate into my reading pile books taking place in Africa.

There are many ways we pick the books we read. And we may have the best of intentions in our choices. But branching out beyond our comfort zone can help us discover new voices and broaden our writing practice.

Reap the reading rewards

Reading Baldwin’s Giovanni’s Room shook me. Discovering Willa Cather changed my understanding of what stories a writer can tell. Consuming Toni Morrison’s work is like crawling into the lap of a master.

Becoming more intentional in my reading has enhanced my writing. I’m a better writer now than when I was reading World War II books. And I understand and appreciate more who a writer can be and what stories they can tell.

You can have the same experience. Look at the books you’ve recently read. Are there commonalities among them? The authors may be similar, or the books are in the same genre. See if there are ways you can expand what you read.

And, once you do, reevaluate after some time. Two years after I broadened what I read, I realized something. I hadn’t read a book published within that time. Everything I read was older than two years. So, I adjusted. Now I work new books into my reading.

Writers should read, yes, but the words we consume matter. Being intentional about your reading will improve your writing. So, reach beyond your typical reads to discover new authors and worlds. And watch yourself grow as a writer.

Nicholas E. Barron is a freelance writer in Washington, D.C. He publishes a newsletter for writers.

Nicholas E. Barron

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Focused on writing, books, and storytelling. Newsletter for book lovers: http://bit.ly/getbidwell Pronouns: he, him, his 🏳️‍🌈

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