N.M. ReinholdtGalaxy Brain: Reflections on ‘Oppenheimer’ (2023)It’s become a joke these days — those low, portentous horn blasts, with the pounding timpani behind: dah, dahh, dahhh…DEE-dahh! If you…Aug 14, 20231Aug 14, 20231
N.M. ReinholdtRacing in the StreetRegarding Some Recent Adventures in Live MusicFeb 12, 2023Feb 12, 2023
N.M. ReinholdtGreat Set!A Few Notes on Seeing Shows in Brooklyn, From That One Gal in the CornerJun 19, 2022Jun 19, 2022
N.M. Reinholdt‘Moral Weight’: The Limits of Redemption in Margaret (2011) and The Card Counter (2021)(Brief procedural note before we begin: Throughout this piece, I will be referring to the three-hour cut of Kenneth Lonergan’s Margaret, as…Jan 8, 2022Jan 8, 2022
N.M. ReinholdtSweetie, Sweetie, SweetieWatching “Sympathy for the Devil”, and dreaming of the Rock and Roll CircusNov 14, 2020Nov 14, 2020
N.M. ReinholdtThese Are the Voyages, Part 3III. ‘Horror Has a Face’: or, VillainsJun 27, 2020Jun 27, 2020
N.M. ReinholdtThese Are the Voyages, Part 2II. ‘Robbery With Violence’: Colonialism as an Act of WarJun 26, 2020Jun 26, 2020
N.M. ReinholdtThese Are the VoyagesThe River Journey and the Process of Self-Knowledge in Aguirre, the Wrath of God, Apocalypse Now, Embrace of the Serpent, and The Lost…Jun 25, 20201Jun 25, 20201
