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Now an Elgin Award-nominated book!”There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can.”From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema — the girl who survives until the end — on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores

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Book ID Asin: B0798XK4MC
Book Title: I Am Not Your Final Girl: Poems
Book Author: Claire C. Holland
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $0.00
Book Format Name: Paperback
Book Format Price: $5.99
Book Price: $2.69
Book Category: Kindle Store, Kindle eBooks, Literature & Fiction and unknown
Book Rating: 411 ratings

I Am Not Your Final Girl: Poems by Claire C. Holland Book Review

Name: Andrew J. Sydlik
Rating: 5.0 out of 5 stars
Title: Greatblendofhorrormoviesfeminismandpoetry
Date: Reviewed in the United States on May 27, 2018
Review: I heard about this collection on Horror Movie Podcast Episode #145. Seeing it was only $5 on Amazon, I decided to give it a shot. I was a bit wary; although I love horror movies as well as poetry, I haven’t come across many successful attempts to bring those two things together. I’ve read “horror poetry” that doesn’t work terribly well as poetry — rooted more in horror tropes and creepy words than the multi-layered, imagistic sensibility of poetry. I was pleasantly surprised to see these as compelling poems unto themselves, but also to see them provide extra insight and emotional resonance if you are familiar with the films they’re based on.I also wasn’t sure about what to expect knowing this was written with a feminist twist on horror movies. Horror has quite an ambiguous, not to say vexed, relationship with gender politics and feminism. Depending on the work and the critic, it can be read as highly misogynistic and dangerous (as several feminists in the past have argued with me), or empowering and transgressive, or some mix of the two (my personal view of most horror). “I Am Not Your Final Girl” is a confrontational title that almost sounds dismissive. It sounds as if it characterizes the final girl trope as simply a reinforcement of misogyny, rather than a more transgressive figure, as Carol Clover seemed to argue in her seminal

Name: B
Rating: 1.0 out of 5 stars
Title: WorstbookIvereadinyears
Date: Reviewed in the United States on June 16, 2019
Review: Ok I know I fall in the unpopular opinion category on this one but honestly, this book only blew up cause it fit the aesthetic of being “anti-man.” It wrongly categorized itself as horror and the only thing horrific about this book was how pretentious the writing tried to be. So beyond “trying hard” that the poems most of the time didn’t make sense. They had no point and I feel like if you haven’t seen every single movie these poems were based on then it’s a pointless read. Overall the worst book I’ve read in years. Don’t recommend this to anyone.

Name: audraudraudra
Rating: 5.0 out of 5 stars
Title: feministhorrorpoetry
Date: Reviewed in the United States on November 19, 2018
Review: The final girl trope is a prevalent one in horror films, specifically slashers, where once the action of the movie sets in and her friends are picked off one by one, the mild-mannered (generally “good”) girl has to suit up, grab a weapon, scream a lot, kill the baddie, and limp off into the rising sun, soaked in blood, forever changed.And yet, women are not really depicted all that heroically in a lot of horror films. They are in need of saving, fall deep into stereotypes, and are constantly objectified and dissected as parts instead of people. Even though she’s the one who survives, the use of the final girl trope isn’t really all that empowering to women.I like Clare C. Holland’s use of the term “horror heroine” in her collection of poems that returns power to the feminine, to the women who find within them the primal urge to fight and survive by any means possible.And that definition isn’t just confined to the realm of horror movies. As Holland outlines in her rallying cry of an introduction — it’s been a pretty bad year. But it’s also been a time of change, of women stepping up and saying “no more,” of role models and fierce, nasty ladies everywhere taking charge. These poems are for them. And if you agree, these poems are for you, too.Separated into four parts, each poem carries the title of the name of a girl from a horror movie, and the poem itself is her story, from her perspective as a person who has been terrorized, hurt, or otherwise abused by some kind of villain — human, supernatural, alien — sometimes even she is the villain.The movies range from classics like Halloween, The Brood, and The Texas Chainsaw Massacre to more recent and indie movies like Under the Skin, The Witch, Honeymoon, and A Dark Song.There were only a few that I hadn’t seen (added them to my watchlist immediately) and while the context of the movies is helpful and could expand on the reader’s interpretation of the poem, it is by no means necessary to watch them. The poems stand alone as stories of the resiliency of the human spirit and the true amazing nature of women.These are emotional and resonant poems that get to the heart of what it means to be someone who has experienced something traumatic. Through the use of horror films, Holland has also captured a piece of the current socio-political trauma in these pages, and that’s powerful, not only as an argument for why horror is important, but for how we can continue to fight back as creators, artists, and women.

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