Anderson’s latest exhibits his mastery of the craft, and his ability to weave eerily hilarious characters into a carefully constructed and tense film — “If you want to have a staring contest with me, you will lose,” says Alma to Reynolds Woodcock in Phantom Thread, perfectly summarizing the type of scene that writer-director Paul Thomas Anderson has mastered. Steadily framed close-ups of two characters, dimly lit, facing off in measured tones, talking about one…