Ty W.L. PearsoninBooks Are Our SuperpowerCould Artificial Intelligence (AI) Replace Human Authors?Considering the unsettling shift from ‘human’ to ‘machine’ language and its implications for writers11h ago111h ago1
Ty W.L. PearsoninBooks Are Our SuperpowerHow Edgar Allan Poe Became A Popular Culture IconCelebrating the life, work, and legacy of one of American literature’s most prolific writersOct 30Oct 30
Ty W.L. PearsonJoker: Folie à Deux (2024): Movie/Film ReviewStellar Acting and Good Music Fail To Fix A Plot With No PunchlineOct 16Oct 16
Ty W.L. PearsonMegalopolis (2024): Movie/Film ReviewFrancis Ford Coppola’s Underrated New Film is Exactly The Kind of Risk Hollywood NeedsOct 8Oct 8
Ty W.L. PearsoninBooks Are Our SuperpowerDigital Versus Print BooksExploring the cognitive rifts between readers of electronic and physical textsOct 4Oct 4
Ty W.L. PearsonBeetlejuice Beetlejuice (2024): Movie/Film ReviewTim Burton's Blend of Comedic and Gothic Tropes is BrilliantSep 19Sep 19
Ty W.L. PearsoninBooks Are Our SuperpowerWhy The World Still Needs Poetry In A Data-Driven EraConsidering the future of human language in the digital ageSep 1427Sep 1427
Ty W.L. PearsoninBooks Are Our SuperpowerThe Case For ‘Contextual’ Rather Than ‘Critical’ Literary AnalysisThree methods for the study of readers and book historySep 71Sep 71
Ty W.L. PearsonThe Crow (2024): Movie/Film ReviewA decent reimagining overshadowed by its predecessorAug 31Aug 31
Ty W.L. PearsonBirds Aren’t Real (2024): Book AnalysisExamining the Joy and Genius of Absurdist Humor in the Era of Post-truthAug 23Aug 23
