Henry Fielding, now the most famous of the anti-Pamelists, eventually rewrote Pamela as a farce in which a common slut of the servant class pretends virtue in order to manipulate a foolish man.
From Clarissa to Gone Girl: Rape, the Novel, and Me
Amy Gentry
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A satire pointing out the absurdity of Richardson’s conception of women. In the context of this point in the article, fielding’s presentation of a woman as a golddigger who acts virtuous to get what she wants is used as evidence for exposing rape culture. Yet later in the article when george will asserts much the same thing conceptually, he is dismissed quickly as a proponent of rape culture. So which is it?