Life needs to be natural, not some tonne of a head full of horns, blowing into its own cave and blasting air to fan itself.

If you've felt this way, out on a walk, when you got out of a train at the station, or wherever…feeling perfectly numb somewhat and yet connected, and if you wondered why they never made movies about shit like that…you've finally got one- someone has been listening.

So, in the beginning, movie-goers wanted something larger than their own lives. They wanted heroes, superheroes, villains, song, dance, stories that could really never happen to them themselves. It was all about escaping into imagination that could let you live your life vicariously, through someone else’s imagination. You know- be that voyeur, who couldn’t really risk stepping out of his own clothes, his role, his lot in life and his daily bread.

But see, that changed. Then, we had directors like Wes Anderson, Terry Gilliam, Jane Campion and the like, who brought stories that were weird, that didn't always involve heroes and villains. Rather, just those idiosyncrasies and methods in madnesses. These films were about outlying, being that square peg in a round hole and the discomfort of maladjustment -making us all laugh out loud. It created a space through which we saw things differently. To experiment, to step out of the bandwidth of the tried and tested and all perms and combs of the good vs evil theme.

And then again, that became the new boring. So then this was subverted and now it’s just All that laborious gray jazz. We're left with the same themes- recurring ones of plain simple normal life in the burbs.

Not complaining or anything.

Sometimes, storytelling re-opens with a remake of Walter Mitty. What is it? you ask…it’s this very subdued and yet extraordinarily punchy story. The journey of a guy who wishes he was a hero- the protagonist as an uncomplicated guy, an ordinary human being. Funny, insightful and memorable.

Walter Mitty- According to wikipedia, has come into more general use and refers to an ineffectual dreamer, appearing in several dictionaries. The American Heritage Dictionary defines a Walter Mitty as “an ordinary, often ineffectual person who indulges in fantastic daydreams of personal triumphs.”

So Ben Stiller remakes this movie. And a bunch of us feel he’s really remade it. We already know that he’s a good actor. We know he’s a funny guy. In that smug, understated way. We now know how he’s also capable of stringing a theory about life. And this makes viewing his portfolio interesting.

Acting a part is one thing. But directing a series of events and finding ways to shoot scenes in a way that lifts what is needing to be expressed into what will be felt by the audience- this transition he’s made really comes through. We know he thinks long and hard, about the little things- what makes that watercooler-type conversation interesting, he communicates something profound about life tritefully (in a good way). How he observes- in a way that he’s sure a lot of people will relate to- this type of creativity is challenging stuff.

Many directors have tried and do try even now, to introduce a way of thought, a how-to about life’s many ifs and buts, and many haven't really been taken up and owned by people. That resemblance to reality is missing. Ben Stiller as Mitty does it though, and he does it well.

Here, in this film, coming out of an industry that has been either trying too hard for some time now or not at all to get at this kind of stuff— we finally have something to sit back and appreciate- from beginning to middle to the very end. With an approving smile dancing out the corner of us. And that’s what the audience is in it for, this experience of not having their intelligence insulted, to be given something that is beyond its collective grasp- gasp!

The whole plot is amazing. It is Time Life magazine’s last issue before they go online. An ordinary guy who works for the magazine happens to find that he’s been made redundant at his job.

He then decides to take his forced sabbatical, meets an acclaimed photographer and then what happens to him, and the way this is handled in this film is awesome.

The casting is great- the characters in this film are unforgettable. They stand as individual stalwarts, apart from the story but in a congenial way. Like the only man in Iceland. And the old steer hand of a ship who promises Mitty that what’s swimming up to him is surely a porpoise-in the middle of the deep blue sea, fin and everything sticking out!

The use of special effects is totally unfrivolous through the art direction and the screenplay in this film. Someone really knows how to have a laugh at themselves. There are some amazing metaphors in this film, like a stretchable toy-man. A toy that can be pulled in opposite directions but won’t come apart.

A reassuring feeling accompanies us from around 10 minutes into this film- we know that it is going to a good place - it feels a lot like planning a holiday and then enjoying every moment that leads up to it.

The soundtrack is really pretty. Major Tom gets a new cover artist. The cinematography is awesome. This film has so many beautiful attributes, it will be something to talk about in 5 years and in 10 years to come.

5 /5 stars