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Assessment: PG-13 (Sequences of violence and action | Brief strong language | Some disturbing images | Some suggestive elements)
Genre: Action, Mystery & Thriller, Adventure
Original language: English (United Kingdom)
Director: Cary Joji Fukunaga
Producer: Barbara Brocoli, Michael G. Wilson
Writer: Neal Purvis, Robert Wade, Cary Joji Fukunaga, Phoebe Waller-Bridge, Scott Z. Burns
Release date (theaters): October 8, 2021
Duration: 2h 43m
Distributor: Metro-Goldwyn-Mayer
Co-production: Danjaq Productions, B25, Metro-Goldwyn-Mayer (MGM), Eon Productions Ltd., Universal Pictures, Cinesite Animation
Aspect Ratio: Range (2.35: 1)

After being rumored for a while, No Time to Die was recently confirmed as the longest-running James Bond film with an epic 163 minutes running time.
It’s a runtime that has separated fans from those who can’t wait for extended Bond action after such a long wait and others who think it’s way too long. For Rami Malek however, he promised every minute was worth it.
“People have heard that the runtime is a bit longer than most Bond movies, but I’m going to tell you from start to finish it’s a punch every second,” said he told Digital Spy.
“I think when you come out of that theater you’ll be emotional, you’ll have fun, you’ll get whatever you want from a Bond movie, basically. Daniel just did a wonderful job, [it’s] a big farewell to him. “
Daniel Craig’s final 007 mission sees him battling Malek’s villainous Safin, who the star says is a “very formidable” adversary to the spy. He didn’t hesitate when he was approached for the role, but he’s keeping things a secret for now.
Will Safin be the kind of Bond villain who is just plain evil, or has Malek added some depth where you might end up with his plan? He will let you be the judge.
“There is something quite meticulous about the way he carries out his specific will, so to speak. I was like, “Do I detach myself from the way Safin can detach himself and do pure evil out of him? “”, He teased.
“I guess, from a viewer’s point of view, you will be able to decipher this for yourself. Maybe you’ll recognize some vulnerabilities in it and maybe you’ll just see a pretty evil and evil man. ”
While we might not know exactly what Safin’s likely evil plan is, we’ve seen in trailers so far that we’ll be having that classic Bond lore: a lavish, oversized villain’s lair.
Malek raved about production designer Mark Tildesley for creating the sets that immediately made him feel like part of a Bond movie, and he added that the level of detail extends to all backstage departments.
“When you work on a Bond film, you have people who are at the top of their game. Our cinematographer Linus Sandgren, our costume designer Suttirat Anne Larlarb, they are just phenomenal craftsmen, ”he continued.
“It’s the thing of being on a Bond set, you don’t want to go back to your trailer, you want to watch everything that happens, from the stunts to the work of the other actors to the directing of Cary, that is. is truly a work of art and something that I will never forget for the rest of my life. ”
Don’t expect to have any secrets from Malek about what Craig’s latest Bond film will involve. He won’t even tell you what props he kept from No Time to Die to remind him of his Safin days.
“I’m so good at keeping secrets, it’s ridiculous. I didn’t tell anyone, zero, nobody about this plot. I haven’t even told the other cast members about it, ”he joked.
“As I was younger, I never thought about keeping accessories. But now, as I get a little older, I get a little more nostalgic, so there might be a few things I brought up, but I won’t share them right now. “
We also spoke to Bond himself, Daniel Craig, about his last 007 assignment and whether he paid attention to fan theories.

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It’s a lucrative cultural export — and as unreconstructed as the secret agents come. Now, as Daniel Craig’s latest installment finally hits theaters, many are clamoring for a new type of 007 — but is the franchise too conservative to take the leap? Guardian Film Editor Catherine Shoard Examines History of $ 8.5 Billion Cultural Institution
Throughout the coronavirus pandemic, blockbuster after blockbuster ditched the movies and went straight to our TV screens — but a franchise was just too huge to go that route. Now, after endless delays, No Time To Die is finally coming to the big screen. And Daniel Craig’s latest James Bond film is as close to guaranteed box office success as you’re going to find.
But besides being a commercial titan, the James Bond series has always told us something about a certain idea of ​​Britishness — white, masculine, misogynistic and reluctant to give up the idea that only he can save the world. And with Amazon paying $ 8.45 billion (£ 6.17 billion) to buy MGM studio and take control of the character’s future, many are skeptical of the call for a new breed of agent. secret — who could even be a person of color or a woman — will be listened to with such a loyal and conservative fan base to stay by her side.
In this episode, Guardian film editor Catherine Shoard talks to Hannah Moore about the character’s history and her evolving relationship with the cultural moment, from Connery and Moore to Dalton and Brosnan to the present day. She explains the creative and commercial constraints that make a radical reinvention hard to imagine.
After 14 years, the longest tenure of all Bond, Daniel Craig is about to hang up his martini glass and Walther PPK. Empire follows 007 around the world, from London to Jamaica and New York, to bring you the ultimate information on No Time To Die. and his moving farewells …
Three simple syllables. Two simpler words. But their cultural importance is enormous. We have heard them over and over again over the years. Sometimes there’s a variation on a theme — “Goodbye, Mr. Bond” more often than not — but the gist remains the same. A megalomaniac villain with plans to take over the world has lured James Bond, the world’s greatest secret agent, into a trap, and is about to bring him down.
Today those words are spoken in Cuba by Ernst Stavro Blofeld of Christoph Waltz, head of the evil organization SPECTER and adoptive brother of Bond. Well, not quite. To be completely honest, Empire is not in Cuba, but a soundstage at Pinewood Studios pretending to be Cuba, while outside the October wind rages and howls. And we’re not listening to Christoph Waltz, but a member of the production crew of No Time To Die, the 25th James Bond film, picking up lines for the benefit of the actors, which will later be voiced by Waltz. With, we fervently hope, a little more feeling than the monotonous mumbles that are currently emanating as an excuse from the speakers on set.
Either way, the gist. At one point in No Time To Die, Bond ends up in Cuba where, along with an associate called Paloma (Ana de Armas), he fought for an invitation to the hottest party of the year — a gathering of the most bad, bad guys and bad guys from SPECTER. the beautiful, the catchy and the attractive. And as he and Paloma walk around, talking to each other on those little Bluetooth headphones that come in handy in movies like this, a voice can be heard, broadcast to the crowd. Blofeld may be in jail in London, but he always makes some sort of appearance. And two things quickly become evident: This is a big birthday party for the bloviating beaund. And he’s fully aware that Bond planted the party. “Take advantage of the spectacular end of our outcast,” he told the scrums. And then, those aforementioned words. “Good bye, James. “

What is Blofeld doing? Will Bond survive? And what will be left of him? Empire is not free to say so. For now, let’s focus on those two very apt little words. Because “goodbye” is right. Welcome to James Bond’s last hurray. Or, at least, Daniel Craig’s last hurray.
If you felt like Specter, the 2015 film directed by Sam Mendes that ended with Bond retiring from official duty to go out at sunset with his new friend, Léa Seydoux’s Dr Madeleine Swann, was the last time we’d see Daniel Craig play Bond, you’re in good company. Daniel Craig was too. “I think I was ready to go,” he says of the end of this movie. “If that had been that, the world would have gone on as usual, and I would have been absolutely fine. But somehow we felt like we had to finish something. If I had left it with Specter, something in the back of my head would have said, “I wish I had done one more.”
Specter was not an easy shoot. “I did most of the movie with a broken leg,” admits Craig, speaking to Empire at a New York studio in early December. And in the end, Craig just wasn’t in the mood for bonding. “There was a part of me that was like, ‘I can’t do this physically anymore. “I really felt like I had to give up for my own conservation as much as anything. “He even told a publication that he would rather cut his wrists than create another Bond. Yet here it is, Unnotched Cuffs, Bond’s fifth film in the box. This is in part the result of a relentless campaign by loyal Bond producers Barbara Broccoli and Michael G. Wilson, Guardians of the Flame of Ian Fleming, who were determined not to let their man go quietly. “If he hadn’t come back, I was going to put a quilt over my head and cry for three years,” Broccoli laughs.
Let’s not kid ourselves. Daniel Craig doesn’t do No Time To Die out of the goodness of his heart. Yet all the gold in Fort Knox alone would not have attracted him again. Turns out there was something gnawing at him too. While he is laudatory about Specter (“I’m very happy with it”), which represented a creative and commercial plunge from Skyfall’s peak in 2012, there may be a desire to come out in a shine. of glory. And maybe there is, quite simply, a feeling of unfinished business. “I’ve always had some sort of secret idea about all of this in my head, where I wanted to take him,” he says. “And Specter wasn’t that. But it looks like it is.
No one, especially Craig, is prepared to say this far what this idea is. But, like the movie that would become No Time To Die (a suggestion by Barbara Broccoli who, it later appeared, she may have remembered when her father, Cubby Broccoli, turned a book of the same name in a movie called Tank Force) sped along the bumpy road to the start line, changing director from Danny Boyle to Cary Joji Fukunaga, one thing stuck firmly in place: the idea that you can shoot Bond , stab him or threaten to cut his stockings with a laser, but if you really want to hurt him, aim for the sensitive ropes. “We always like to have a very personal ordeal for him emotionally,” explains Broccoli. “We threw the book at him on this one.”
Over 24 films, across six different incarnations, spanning nearly 60 years, Bond has been a die-hard womanizer. Legend has it that he has so many notches on his bedpost that his headboard is a gatefold. Yet of all his bed mates over the years, the rarest and most foreign to him has undoubtedly been love. Only two women pierced the armor surrounding Bond’s heart: Tracy (Diana Rigg) in On Her Majesty’s Secret Service, which did so so successfully they ended up getting married; and Vesper Lynd, Eva Green’s liaison, in Casino Royale, the film that introduced Craig’s Bond and artfully revived all previous Bond, Tracy and all films, out of existence. Spoiler alert, folks: it didn’t work out well for either lady. On either side of that, Bond has been the archetype of the love-em-and-leave-’em guy. There was a hard and fast rule: if he’s with a girl at the end of one movie, they won’t be there at the start of the next.

This is a rule that has only been broken once, with Eunice Gayson’s Sylvia Trench appearing in both Dr. No and From Russia With Love. So the decision to bring Seydoux back as Swann, the daughter of the SPECTER Quantum key cog, Mr. White, is an interesting one. “What else is there in life besides family and love? Craig asks. “A lot of the movie is about their relationship, but it’s fucking complicated. It’s not a top-down love affair, I’ll tell you.
Right off the bat, No Time To Die will see this relationship tested. “We all have our secrets,” Bond hisses in pursuit of him in the film’s trailer. “We just haven’t hit yours yet. And those secrets will drive the plot. “It was important for me to understand who Madeleine Swann is,” explains Fukunaga. “How does it feel growing up with a father like Mr. White? Who is his mother? Why is she the right person to partner with James Bond?
The film picks up almost immediately after Specter, with Bond baffled by a revelation about Madeleine’s past. “He believes she betrayed him,” Broccoli said. “And he has to face this pain of isolation, loneliness and betrayal again.” Which, in typical Bond fashion, prompts him to seek a quantum of solace in Jamaica. “This is his spiritual home,” Wilson says of the country where Bond’s creator, Ian Fleming, gave birth to him. “He leads a simple life there until the world steps in.”
Which he does in the form of Bond’s former CIA friend Felix Leiter (Jeffrey Wright), who shows up with a gig that will drag Bond into a dangerous conspiracy on a global scale (Italy! Norway! Cuba). !) the path, constantly flanked and overtaken by a group of strong and powerful women: Moneypenny from Naomie Harris, Paloma from de Armas aforementioned, Nomi from Lashana Lynch, an MI6 agent who may well have inherited the 007 mantle; and, in an unexpected rug for the character, Madeleine, the woman he thought he left behind. “I think the character learned a lot over the course of the five films,” Broccoli says. “In this film, he discovers that relationships are tough! Who knew? It used to be a lot easier when he left them behind.
Ah, the good old days. Not necessarily the good ones either. It’s no coincidence that this is the first Bond film to be produced after #MeToo and Time’s Up. Nor that Phoebe Waller-Bridge (“She’s a freak,” Broccoli says) was brought on board as one of the film’s writers in order to, as well as to bring the funny and, presumably, to cast a glance at the camera by Bond every now and then. , make sure the women in the movie weren’t disposable. “I think Time’s Up has had a profound effect on society, thank goodness,” says Broccoli. “It was about time too.” As one of the most powerful women in filmmaking for the past two decades, she has slowly cemented the franchise’s feminist credentials and shattered old-fashioned Bond views. “His attitude towards sex, his attitude towards women, all of that is deeply, deeply flawed,” Craig admits. “I can’t apologize for this. It’s not my job to judge the character. But the way you approach him is that we get the strongest female characters we can and pit them against him. “
Bang bang, like in explosions. And whistling bullets. Neither will be in short supply in No Time To Die. No wonder when you consider how much Bond has on his plate. There’s his sinister brother Blofeld, still pulling the strings of SPECTER despite getting screwed. “When you have Christoph Waltz, you don’t want to throw him away and you don’t want to kill him too quickly,” Broccoli explains of the decision to keep Blofeld alive at the end of Specter. And there’s Rami Malek’s Safin, the mysterious figure from Madeleine’s past who is the film’s chief villain: a man so sinister that he makes Donald Pleasence’s Blofeld look like Charles Gray’s Blofeld. “He’s someone who has lived in the shadows,” Fukunaga explains. “Waiting for the right moment to take what he thinks is his rightful position: leading the underworld. “

At first glance, Fukunaga’s involvement with No Time To Die seems somewhat incongruous. His reputation, through films like Sin Nombre and Beasts Of No Nation and the first season of True Detective, is as an arthouse specialist. The only time he tried to star in the studio pool, with It, he left the project, citing the same reason that ended Danny Boyle’s involvement in that film: creative differences. “It was kind of an anomaly,” he says. “Each of the producers on It, I have follow-up plans with. And here, we’re making probably one of the biggest movies of the year, and I felt like I had Barbara and Michael protected.
Still, for Fukunaga, Bond makes perfect sense. A fan of the show since childhood (A View To A Kill was the cherry-popper), he actively lobbied for the gig after Specter. “He is a cultural icon, not just for my youth, but for what he means to generations before me and after me,” he adds. “I’ve seen all of Daniel’s films in theaters, which is not common for me. This is the first time that I am re-engaging as an adult. “
When Boyle left, Fukunaga climbed aboard, creating a whole new story. His goal was to keep the feel of classic Bonds. “It’s bar in the classic sense of the word,” he says. “I inherit a world and lead it to its end in this chapter. There’s plenty of room for improvisation and creative spice, but there’s also a strong sense of responsibility not to upset the basket of apples.
So it is with the action in No Time To Die. There will be all kinds of car chases, motorcycle stunts and shootouts, but Fukunaga has been determined not to catch up with the Mission: Impossible franchise or fifty years of action-packed legacy of Jump. “I hope the action is exciting, but it was more important that it was menacing,” he said. “Rather than thinking of the action before the story, how could the story drive the action? “
And if that means not throwing Craig from a 35,000-foot plane equipped with nothing more than a martini glass, so be it. But there will always be a lot of Bondians for your money. Empire traveled to Jamaica, as you do, in April to watch Second Unit Director Alexander Witt and his team perform a major aerial stunt involving a seaplane (piloted by Bond, of course) escaping police pursuit. army then flying through a series of giant cranes. And on our visit to Pinewood, we are shown around an incredibly detailed and expansive Cuban street setting that will house a lengthy shootout and chase streak. It will also be, just weeks after the tour, the place where Daniel Craig shot his last scene as James Bond.
The day: October 25, 2019. The time: lost time. The shot: Leap, running down a hallway. “It was potentially a bit anti-climax, because they usually are,” Craig recalls. “It was actually very emotional. All the crew came and gathered outside. Everyone was kissing. I tried to give a speech and I couldn’t.
Unlike the MCU, where an actor can only be sure they won’t be called back for additional shoot when they premiere, Bond doesn’t do any new shots. James Bond may return in whatever Hell Bond 26 will be called, but Daniel Craig won’t: it’s the end of a journey that began almost 15 years ago, when he was unveiled to the world press and was immediately subjected to a barrage of abusing. A website, danielcraigisnotbond.com, has started petitions to have his license to play Bond revoked, and has gotten into a frenzy over the very notion of a blond actor playing Bond. “I hope they’re very happy,” he laughs. Happy is exactly what he appears to be. By the time this film comes out, he will have played Bond for 14 years, longer than any previous actor. And while five films isn’t enough to equal the amount of Connery and Moore’s production, it’s more than he imagined he was doing all those years ago. “I was totally ready to go, ‘That’s how I see Bond. You do not like him ? Fair enough, ”he says.

This did not happen, of course. Casino Royale was a murderous affair, both modern and classic, that turned skeptics into believers. And now Craig is such a man at peace with his choice to walk away from Bond that he just ordered peppermint tea with honey. In front of a journalist. “This is your first paragraph,” he laughs. “” He ordered a peppermint tea with honey. “It writes itself, that! “Paragraph 24, actually. And he was stirred, not shaken.
We will not yet know the details of Bond’s release for a few months. But that won’t stop speculation and scuttling. It seems unlikely that he will finish the film at square one, once again installed in MI6. A more solid union with Madeleine, perhaps marriage? — could also be a competitor. Then there is the D word of the title. One rumor that prompted Danny Boyle’s departure was his alleged desire to overthrow Bond. But thematically, this seems like a good place to leave the character of Craig, who was a cold-blooded killing machine when we first met him in Casino Royale. If you follow Bond’s career long enough, then the Law of Averages says that at some point his luck will run out and he will come to a violent end, whether at Blofeld’s birthday party or at the hands of Safin. And another major franchise earlier this year showed that you can kill your main character with grace and emotion, and make their actions count.
Of course, Bond is unlikely to find time to die in No Time to Die. If that was a sticking point with Boyle, it’s hard to see Broccoli, Wilson and Craig go down this path without him. It would also really piss off Alan Partridge. Most likely, the series is simply revamped, as it used to be tradition, or the reboot is restarted. “It was here before me and it’s definitely going to be here after me,” says Craig. “The slate may be wiped off and they may start over. This is what happened with me. But I am not worried. It will be a new person, and it will be exciting.
Broccoli and Wilson say they haven’t thought about Bond 26, or who that new person might be, yet. “We’ll have to see,” Wilson says. “It didn’t enter our mind.” And why should he? Why focus on tomorrow when a) it never dies and b) today is still here. Craig has yet to officially hand over his corporate cordon. But this time there is no turning back. There will be no persuasion, retraction or last minute revocation. “It’s pretty devastating,” admits Broccoli. “He was reluctant to play the role originally because he knew it was going to change his life. The point is, when you take on this role, you are Bond for life. But he’s up to the task. I couldn’t be prouder of him.
There’s only one way to put it, really. In the immortal words of Ernst Stavro Blofeld, and a dozen megalomaniacs before him: goodbye, James.