The aurora borealis over northern Norway by Andy Oliver.

On the Virtues of Travel Photography with Only a Basic Camera

In which the photographer purposefully limits himself to minimal equipment while hunting the Aurora Borealis in Tromsø, Norway.

Earlier this year I took a trip to the city of Tromsø, above the Arctic Circle in Norway. It is known as an excellent place to score an Aurora sighting and caters to quite a few tourists year round. (I totally recommend it, by the way.) I had just bought myself a Fuji X100T, she and I were still in the honeymoon phase, and was feeling a little nervous about packing too much stuff for a transatlantic trip. So I took the plunge and committed myself to just that camera and a few critical accessories like a lens brush and extra batteries. In fact, I didn’t even bring a separate charger–the camera can replenish the battery internally over USB.

Waiting in the Oslo airport by Andy Oliver.

To be fair, as photographers go, I am a little odd to begin with. I don’t have a particularly bad case of gear acquisition syndrome. As a rule I am generally suspicious of bells and whistles. I think knobs are better than buttons and icons. That said, limiting myself to one camera–with its one built-in, fixed focal length lens–while out of the country on what could be a once-in-a-lifetime opportunity is fairly unheard of for a photographer.

For those of you that don’t know, the X100T is a digital rangefinder with a fixed lens set at a moderate wide angle, more or less 35mm equivalent. At that field of view things are pretty close to how they look in real life, while still getting a good amount of the scene in the frame. The camera relies on knobs for the core settings. Like in the good old days, if you want program auto-exposure, you turn both the aperture ring and shutter speed knob to ‘A.’ If you want aperture priority, you leave the shutter speed knob on ‘A’ and simply set the aperture to whatever you want. Shutter priority is similar.

Fujis are also known for the “look” of their images. They use a different type of sensor and do some processing behind the scenes that results in a film-like vibe in the pictures. They handle low light exceptionally elegantly. In fact, that was the biggest selling point for me. But I’ll get back to image quality in a bit.

I don’t like to have a lot of things dangling around, especially when I’m trying to get through airport security, so my X100T sat nicely at the top of my Boreas Bolinas pack, just under the roll top. (That bag is another piece of equipment that I would recommend, by the way. It’s my everyday carry and comes with me on transatlantic trips, with scarcely a compromise either way.) The camera is fairly compact and solid; the lens extends just a little in front of the camera so the whole thing fits in a uniform rectangular space.

Watching a film by Jennifer Reeder in the Tromsø Kunstforening by Andy Oliver.

So you can tell I like the size and shape. As I hinted at before, I really love the images the camera produces as well. The moderate wide angle is appropriate for just about every style of photography except perhaps nature, sports, portraiture, and macro. The lens is reasonably sharp and the maximum aperture of f/2 is wide enough to provide some background blur if that’s what you need. For typical travel photography, I think you can’t beat it. Landscapes, lifestyle details, and the such are so natural with this camera. In low light, the sensor (and I suspect some behind-the-scenes processing) produces images with very low noise. And the noise that is there feels more like film grain than digital splotches.

There are of course problems with this camera, such as sharpness at wide apertures and close focus. But as Cartier-Bresson is supposed to have said, “sharpness is a bourgeois concept.” This camera is more about the feel rather than pixel-peeping. And that is what I’m really trying to talk about here. The vibe, the feel, the size, they way the camera is a part of you rather than something you have to lug around because you spent a million dollars and don’t want to feel like you wasted it.

Somewhere in northern Norway by Andy Oliver.

Again, I cannot reiterate enough that the simplicity and quality of the camera, both in physical form and image output, really make for the one piece of equipment this photographer needs on hand at all times.

After looking at my pictures from the trip you may disagree, but I believe that I missed hardly a single shot due to the equipment limitations. I might have liked to have used a wider angle lens for a couple of the Aurora shots, and I pretty much refuse to photograph people with anything less than a 50mm equivalent (normal) lens. But aside from that, I feel like I missed out on very little if anything.

More of the aurora borealis over northern Norway by Andy Oliver.
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