(Directions are meant to be followed
Reader inhale breathe at each enjambment
or the end of a line
Reader be safe)
Now establishing a testament
tecostalism is the performance of plural possibilities for otherwise
Does the reader hear the rustling of
the sounds of ship whistles
of whipped flesh?
enactment of irreducible openness
the experience of displacement as com-
the performance of displacement as a critique of the violent moder-
nity that produced violent possession
pentecostalism is the ongoing emergence of otherwise than “spatial and
BRETON BOOKS — BROWN — PORNHUB[DOT]COM
& THE EKPHRASIS ITS BUKAKKE
The bundlenub buds cat set fanning to itself.
In the middle in the
good many enterings everything.
To satiate its hunger & repetition. The & good so — hmmm — 1.
P-H-B five seven nine with 18 E. Its Two. Two oh
five B-K-L-N sugar ditches brought it up.
It brought graze bending ooze & busting P-H 5–9–7.
A 2–1- Three much in nine echoes emboldened.
Glide sat overflowing gasps gaps. Edge doing blast — doing.
See queer. Nudge fulfilling rush — Squirm — Enchant…
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Reflection: Coursework at Movement Research New York City (workshop syllabus by Baish — Brown — Neil Jr.) Special thanks to New York Writers Coalition, Experimental Reading Writing Revision Group (NYWC friends), students at Saint Francis College, Amherst College, Borough of Manhattan Community College.
Action(s) / Events: Dancing words.
Reflection: What about reading if dancing words deals with visual correlation?
Does it only deal with the visual though? Is performing visual language a direct process? If not, what is the process? If I see words on a page, can I perform them without reading them first? I recall a scene in…