What kind of #MOJO are you?

#MOJO

#MOJO: This is what Mobile Journalism looks like today.

Mobile Reporting has come a long way in 30 years

Smartphones today are more powerful, their cameras ever sharper, and the apps for filming, editing and transmitting visual reports are allowing journalists to produce professional results from the field in near real-time.

A VRT broadcast reporter getting hands-on #MOJO training in the streets of Brussels.

Today, a fully trained mobile journalist can be extremely productive and serve a variety of roles for daily film, video and audio reporting.

Almost everywhere you look, there is a new #MOJO workshop, group, book, chat, filmwalk, gadget, or online course.

Mid-career journalists can even skill up and earn a certificate in mobile journalism.

#MOJO is mandatory

In the journalism schools where I teach in Europe; Mobile Reporting is a compulsory course for every first year student.

Three years ago I wrote the syllabus and started training journalism students at a university in Vienna, Austria.

All first year journalism students at FH Wien in Austria are required to pass an immersive Mojo training course.

Last week, we once again produced an intensive workshop for the entire class and the dean is happy to see evidence that mastering the Mojo skill set early in the process is building a strong foundation for the next generation of visual-first journalists.

Actually, a generation of truly versatile journalists: Reporters who can quickly report and edit non-fiction narratives in pictures, sequences and sound bites with video-led stories.

Every one of them now has experience using their smartphone camera as a powerful reporter’s notebook.

The #MOJO Pyramid

What kind of #MOJO are you?

There is no ‘one-size-fits-all’ approach for mobile journalism.

MOJO is both a basic reporting skill and also an advanced concept used to re-orient the culture of your newsroom with a common language.

MOJO can bring enterprise-wide literacy for advancing visual story forms that connect reporters, specialists and solo VJ’s to their story coverage.

VJ’S are the James Bond’s of the Mojo pecking order.

For example, crisis reporters like Class Weinmann of Bild report from war zones and natural disasters with a range of cameras and techniques.

Claas is a VJ. He can shoot, edit, interview, produce, and file footage, sequences, bites, rushes, and finished mini-documentary packages with any gear he happens to have on him.

He has used everything from smartphones to DSLRs to 360° cams to report from mine collapses, earthquakes and war zones.

That’s the James Bond stuff. Very few people will ever be that good, and that is OK.

The good news is that you don’t need a newsroom full of just these VJs to reap the benefits of improving mojo literacy with your teams.

#MOJO Live streams

Some media organizations and broadcasters that I work with are intensely focused on having their Mojo reporters produce live streaming video reports.

That’s the case with MTV 3 in Helsinki.

MYV has been a client of mine for the last three years and a former political reporter has seen the potential, made her prototypes and today is the first full-time Mojo reporter for her country.

Together we are training the rest of her colleagues in Mojo reporting techniques.

Rajasthan: A 360° view of reporters in India learning MOJO at a workshop organized by WAN-IFRA. All types of Android phones are on display here — it is a challenge to teach them all!

#Mojo in India

Hundred of reporters attend the #MOJO trainings in the newsrooms I visit. Almost nobody has an iPhone.

And the energy and enthusiasm is off the charts fantastic. They want this so badly.

South Asia is a place where MOJO will really be taking off in a big way.

Editors at a WAN-IFRA workshop in Delhi get a practical training in making #MOJO video reports.

#MOJO Social

Other clients are using Mojo reporting to produce video content for social media platforms and even broadcasting on air with high quality footage that was completely produced with smartphones.

With the debut of new small 360° video cameras that can attach to smartphones; the range of stories, assignments and innovation strategies for MOJO reporting is rapidly expanding.

February 2017: Panorama filming of a double rainbow in the Valley of Death, on a 30-day #MoJoTrek across the Atacama Desert in Chile.

Today’s opportunities for mobile reporting in real-time are a far cry from 1987 when I was transmitting my first digital pictures from news events as a student photojournalist for the AP and UPI.

GEAR used to film the mid-air refuel of F4-Phantom fighter jet: Nikon F3, Nikkor 28mm ƒ2 lens, Tri-X film, Ilford paper, typewriter, label paper.

In 1987 I digitally transmitted this news photo to the Associated Press who then sent it to members around the world. As a photo reporter covering military exercises over the USA, I was able to get next to the man who pumping fuel into a fighter jet and take a photo through the tiny window he uses to view an approaching jet.

I would take assignments for the UPI and AP and send news photos from the location using a machine like this. It took eight minutes to digitize and transmit one black and white photo over the phone lines.

I wish that you could see the look on the faces of my first year journalism students when I show them these pictures.

But that is simply what ‘mobile journalism’ looked like when I was in journalism school.

This is what #MOJO looks like today.

Here is a video I streamed live to Facebook using three old iPhones and an iPad Pro as a video switcher.

I self-produced this live stream video as a ‘proof-of-concept’ last week: A one-person live TV show with multiple cameras, show graphics and pre-recorded clips.

It is truly amazing what one fully-trained Mojo reporter can produce with small mobile devices these days.

And while newsrooms and classrooms have come a long way over the last 30 years, there is still a lot more work to be done to realize the full potential of what MOJO workflows can bring to your news organization.

Once again, here is a video produced with two old iPhones and iPad and one journalist doing all the tasks for camera switching and broadcasting while presenting.

So. What kind of #MOJO are you?

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