I see movies and write about ’em. Old, new, makes no difference.
The Wolf House uses its estranging technique to invite us into dread
Antonio Campos’ The Devil All the Time is monotonously grim
Martin Scorsese’s GoodFellas turns 30 but hasn’t aged a bit
Charlie Kaufman does it again in I’m Thinking of Ending Things
Bill & Ted Face the Music is soft, soothing dessert