Rob Sullivan: The Crit WallHistories of JusticeA Review of Shea Justice’s “History Is No Mystery” at Fountain Street Gallery, BostonJun 20, 2022Jun 20, 2022
Rob Sullivan: The Crit WallA Decade, Post-MasteryA reflection on Lesley Art+Design’s MFA ProgramJan 11, 2022Jan 11, 2022
Rob Sullivan: The Crit WallLiminal Headspaceor: Trying to Create While on the Threshold of… SomethingFeb 12, 2020Feb 12, 2020
Rob Sullivan: The Crit WallDrawing BlanksWhat of the artistic hiatus? Do we come back stronger for having taken time off? Does that depend on the nature of the hiatus?Jan 7, 20201Jan 7, 20201
Rob Sullivan: The Crit WallArmchair Art Therapy: Purpose and MakingIn grad school, I developed my thesis around an evolved premise of faith and creating through a personal POV of painting. It delved into…Dec 6, 20171Dec 6, 20171
Rob Sullivan: The Crit WallThe Difficult Nature of the Creative RebootOr: Inspiration Also Means BreathingNov 21, 20171Nov 21, 20171
Rob Sullivan: The Crit WallVisual Essay: Recontextualizing the MuseThe classical tradition involving the personification of the muse through the female figure secured its place in visual history as both a…Oct 31, 2017Oct 31, 2017
Rob Sullivan: The Crit WallSkilled Artists: “Traditional” & “Idiosyncratic”[This is a rather rambling response to the John Seed essay, “So These Three Artists Walk Into a Jeff Koons Show…” It doesn’t address all of…Oct 13, 2017Oct 13, 2017
Rob Sullivan: The Crit WallRepresentational Painting After Richter(first published in GlobalThek, 2013)*Oct 13, 2017Oct 13, 2017
Rob Sullivan: The Crit WallincosgrrrlThe End of Art and What To Do About ItIn Pixar’s 2004 CG-animated blockbuster, The Incredibles, there is a scene early in the film in which a mother (Helen Parr) and son (Dash…Oct 12, 2017Oct 12, 2017
