Rasheeda SakainThe Nassau Literary ReviewThe Sound of a Face: Re-Encountering Portraiture in Mario Moore’s The Work of Several LifetimesBY STAFF WRITER REBECCA NGU ’20Nov 27, 20191Nov 27, 20191
Rasheeda SakainThe Nassau Literary ReviewMosquitoes at Buttermilk FallsBy Staff Writer Katie Tam ’21Apr 14, 2019Apr 14, 2019
Rasheeda SakainThe Nassau Literary ReviewWhat We’re Loving: Spring Break 20192019 may be shaping up to be a great year for poetry — among others, Ilya Kaminsky’s long-awaited Deaf Republic (Graywolf Press) and…Mar 29, 2019Mar 29, 2019
Rasheeda SakainThe Nassau Literary ReviewSCREEN CAPSULE: Human Production in Plastic Bag (2009) and Grizzly Man (2005)By Guest Contributor Serena Alagappan ’20Mar 11, 2019Mar 11, 2019
Rasheeda SakainThe Nassau Literary ReviewThe Fearful Love of Terrance HayesBy Staff Writer Simone Wallk ’21Mar 6, 20191Mar 6, 20191
Rasheeda SakainThe Nassau Literary ReviewThe Butterfly Effect: Yo Shimada on Dynamic AbstractnessBy Staff Writer Cameron Lee ’22Mar 4, 2019Mar 4, 2019
Rasheeda SakainThe Nassau Literary ReviewInterview with Poet and literary translator of the SITI’s 2018 ‘The Bacchae’ Dr. Aaron PoochigianBy Staff Writer Mina Yu ’22Mar 4, 2019Mar 4, 2019
Rasheeda SakainThe Nassau Literary ReviewThe Reincarnation of the Ancients: Analysis and Reflections on the SITI’s The BacchaeAs I walked into the Brooklyn Academy of Music (BAM) Harvey Theater, I remembered thinking that there could not possibly have been a…Feb 24, 20191Feb 24, 20191
Rasheeda SakainThe Nassau Literary ReviewFriedrich Hundertwasser: “I Give Houses Back to the People”By Staff Writer Simone Wallk ’21Oct 26, 2018Oct 26, 2018