Sandy Resdiansyah1917 (2019)1917 combines Sam Mendes’ astute directing and Roger Deakins’ immersive cinematography to create the most enthralling emulation of war…Jan 25, 2020Jan 25, 2020
Sandy ResdiansyahReview: Knives Out (2019)Rian Johnson’s take on the whodunit genre is a spectacular star-studded outing that’s ingeniously plotted, deviously funny, and easily…Dec 27, 2019Dec 27, 2019
Sandy ResdiansyahReview: Blanc Bunny Bandit — 漂白脱兎 (Hyouhaku Datto/Blanc Bunny Bandit) (2019)BBB’s debut album features all the familiarity of Tomosuke’s playful genre blending, but never truly escapes the shadows of his previous…Dec 5, 2019Dec 5, 2019
Sandy ResdiansyahReview: Disenchantment Season 2Disenchantment’s second season improves on its world-building and character development, but suffers the same narrative pitfalls as Season…Oct 2, 2019Oct 2, 2019
Sandy ResdiansyahReview: Midsommar (2019)Ari Aster gives us an unsettling yet aesthetically pleasing horror flick that challenges the genre altogether.Sep 25, 2019Sep 25, 2019
Sandy ResdiansyahReview: Weathering With You (2019)Makoto Shinkai’s latest is a visually beautiful piece of animation, that is, if you’re willing to overlook its glaring story flaws.Aug 26, 2019Aug 26, 2019
Sandy ResdiansyahReview: Dormir — Petit March (2012)A look back at one of Tomosuke’s career milestones.Jul 19, 2019Jul 19, 2019
Sandy ResdiansyahReview: Pirokalpin — 人生計画After 16 years and several fluctuations in record labels and group members, it seems like the golden days for Pirokalpin are long gone…Jul 5, 2019Jul 5, 2019
Sandy ResdiansyahReview: Three Berry Icecream — Apricot (2000)Three Berry Icecream is the alias of Mayumi Ikemizu whose name owes its albeit not wide mainstream acknowledgement to an appearance on the…Apr 29, 2016Apr 29, 2016
Sandy ResdiansyahReview: 10 Cloverfield Lane (2016)It works best when you shake off its “Cloverfield” and “sci-fi” label. Minor spoilers.Apr 16, 2016Apr 16, 2016
