Sarah WolozininImmerseIllustrating Reality in a 3D WorldA visual essay about Pedro Harres’ immersive animated film From The Main SquareMay 3, 2023May 3, 2023
Sarah WolozininImmerseCreating Community in Hybrid FestivalsExecutive Summary of Creating Community in Hybrid Festivals based on research for IDFA DocLab in 2021/22.Dec 12, 2022Dec 12, 2022
Sarah WolozininImmerseRevealing Reality in Imaginary 3D Worlds — Part 2This is the second in a three-part series covering featured VR highlights of Venice Immersive.Nov 28, 2022Nov 28, 2022
Sarah WolozininImmerseRevealing Reality in Imaginary Worlds — Part 1A three-part series on how VR storytellers use the language of video games to create imaginary worlds where participants must discover the…Nov 3, 2022Nov 3, 2022
Sarah WolozininImmerseThe Future of the Hybrid Film FestivalHow should film festivals connect artists, their projects, and audiences in virtual and hybrid spaces? Why does it matter?Sep 15, 2022Sep 15, 2022
Sarah WolozininImmerseRecording History, Augmenting Reality: An Interview with Lara BaladiOn the politics of public spaces, documenting protest movements, and AR as a way of healing collective traumaAug 5, 2021Aug 5, 2021
Sarah WolozininImmerseThe World Is 3D and Media Should Be TooNonny de la Peña reflects on her experience as a VR pioneer.Jul 29, 2020Jul 29, 2020
Sarah WolozininImmerseField Notes: Models of Sustainability for Immersive MediaHow are makers adapting post-pandemic?Jul 24, 2020Jul 24, 2020
Sarah WolozininImmerseBuilding a World That Will Let Us BuildAn interview with Meow Wolf’s Caity KennedyJul 26, 2019Jul 26, 2019
Sarah WolozininImmerseArtists Will Create the New Models of Distribution in Immersive MediaAn interview with Fred VolhuerMay 20, 2019May 20, 2019