【冰島音樂】Sigur Rós專輯主觀分析 (二)

《Með suð í eyrum við spilum endalaust》 — 2008

從實驗性的《Von》去到魔幻的《Ágætis byrjun》,後漸趨蒼白的《()》到史詩式作品《Takk…》,相信不少Sigur Rós 樂迷們也會將天團音樂慢慢定型。那麼再製作下一張專輯時,究竟Sigur Rós需要滿足樂迷的心靈需要,還是每張專輯都有重新上路之感呢?

《Með suð í eyrum við spilum endalaust》專輯不像從前的音樂作品,氣氛音域氣場不太突出,反而原音樂器如木結他與鋼琴甚為突出。整張專輯的起承轉合,如同專輯設計的圖片,總是讓樂迷脫離捆挷,奔向光明的喜感。簡單來說,這張專輯好自然,好像Sigur Rós由努力創作新音樂,去到好自然地享受玩音樂,即興錄音,隨心創作。

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文化九公:神學只是一場遊戲

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玩音樂是興趣,寫作是修行,讀神學是天職。最近出了一本半自傳《道成搖滾》,好像是華文神學界唯一談搖滾樂與神學的巨著。

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