Why We DJ — Slaves to the Rhythm
A REVEALING NEW DOCUMENTARY BY DJSOUNDS
“It’s a crazy life… I think there’s an expiration date on your own sanity and trying to keep human with being a DJ.” — Seth Troxler
Following last night’s premier at ADE, we at shesaid.so are happy to present “Why We DJ — Slaves to the Rhythm” — a new documentary by DJSounds. It is imperative to talk about mental and physical health in the music industry, and with the expansive nature of and developments in technology, help is becoming more accessible by the minute. In this revealing documentary, see and hear storied from those who are speaking out. Watch it here :
In an online world of glossy YouTube videos and Instagram-ready stories, where life appears to be one giant VIP party, does the reality of being a professional DJ live up to the hype? It’s a career envied by millions, but it’s one where the job and the accompanying lifestyle are inseparable and often indistinguishable. How can DJs handle the pressure, knowing every night they’re expected to rock the crowd, no matter how they’re feeling? And how do they cope when the party, and possibly the success, ends? ‘Why We DJ — Slaves To The Rhythm’, a film from DJsounds.com, investigates.
Following the success of last year’s ‘The Underground Sound of Paris’, DJsounds.com is back with a new documentary. ‘Why We DJ — Slaves To The Rhythm’ delves deep into the psyche of the DJ, exploring the motivations that drive people to pursue a career behind the decks and the effects stardom can have on their mental health.
In refreshingly candid, sometimes even brave, interviews from artist managers, tour managers, music industry professionals and DJs including Carl Cox, Luciano, Seth Troxler, Erick Morillo, B.Traits and Pete Tong MBE, in ‘Why We DJ — Slaves To The Rhythm’ we hear stories of the lofty highs and plunging lows DJs can experience on a daily basis.
Through their testimony, plus insight from Dr Alinka Greasley, Associate Professor of Music Psychology at the University of Leeds, UK, the documentary questions the impact of a DJ’s nomadic lifestyle — always moving from gig to gig to perform for thousands of adoring fans before returning to the solitude of travel — and what kind of long-term effects that lifestyle can have on their mental health, relationships and general wellbeing.
Ben Pearce is one of the DJs who lays bare his story in the 40-minute film. “I was drinking every day and chucking my life down the drain. It got to a point that I knew that if I didn’t do something about it, I wouldn’t be around much longer,” says Pearce, while Canadian DJ, B.Traits, also explains how rapid success affected her personality: “I went through this quite depressive stage. I had anxiety all the time, every day.”
‘Why We DJ — Slaves To The Rhythm’ provides an honest look at the lives of professional DJs from the point of view of the people subjected to a relentless schedule of travel, sleep deprivation and creative pressure, while constantly under the social media spotlight. For the first time, the film examines how DJs can suffer from conditions such as imposter syndrome, opening up the discussion about the sometimes-dark places artists can easily find themselves in when they’re off stage.
‘Why We DJ — Slaves To The Rhythm’ will premiere at a very special screening during the Amsterdam Dance Event (ADE) on Wednesday 18th October 2017 from 18:00–20:00 CET. The event will be held opposite to the DeLaMar Theater at the YouTube Lounge (in The Koopstroobar) in partnership with AFEM and Help Musicians UK. The documentary will then be available to watch for via YouTube & DJsounds.com
If you’ve been affected by any of the issues raised in the film, the following organisations may be able to provide advice and help:
DJsounds.com is an electronic music and culture website created by Pioneer DJ to explore, investigate and uncover intriguing and fascinating facets of the global dance music scene. Over the last 11 years, DJsounds.com has shared over 1,200 videos of parties, festivals, and interviews and mixes by world-famous DJs.
Thanks to Kim Smith for content and keeping us informed